Junky by Doublefacez & Kraneal: A Breaks Odyssey That Sticks
Alright, let’s dive into Junky, the 2016 electronic banger from Doublefacez & Kraneal. Released under Stars & Knights Records in sunny Spain, this album is all about that Breaks vibe—sharp beats, glitchy goodness, and enough energy to keep you wired for days. It's not perfect, but damn if it doesn’t leave a mark.
The OG track, “Junky,” hits hard right outta the gate. You know when something just feels... dirty? Like, in a good way? That’s this track. The bassline slaps so hard it could wake your grandma, and those chopped-up breaks make you wanna move—even if you’re sitting at your desk pretending to work. What sticks with me most is how raw it feels. No over-polished nonsense here; just gritty synths and rhythms that feel like they’ve been dragged through the streets of Barcelona after a wild night out. It’s messy, chaotic, and totally addictive.
Then there’s the remix—the “Omega Squad Remix” of “Junky.” Oh man, where do I even start? This version flips everything on its head. The original’s edge is still there, but now it’s got this futuristic sheen, like someone took Junky to space camp and brought him back as an intergalactic DJ. The drops are slicker, the build-ups more dramatic, and honestly? It might just be better than the original. I found myself looping this one late at night, staring at my ceiling like some kind of existential electronica philosopher. Does music get deeper when you're sleep-deprived? Who knows.
What makes Junky stick isn’t just the sound—it’s the vibe. Doublefacez & Kraneal didn’t try to reinvent the wheel here; they just made sure their wheel spun faster and louder than anyone else’s. There’s no pretentiousness, no trying-too-hard moments. Just two producers doing what they love, and it shows.
So yeah, here’s the thing: listening to Junky feels like finding a crumpled-up flyer for a rave you never went to—but wish you had. It’s nostalgic yet fresh, chaotic yet controlled. And honestly? If aliens ever invade Earth, I’d blast this album as humanity’s last stand. Not because it’s gonna scare them off, but because it deserves to soundtrack the apocalypse.
