Album Review: Princesse by Yoanna (2014)
Yoanna’s Princesse is one of those albums that sneaks up on you. Released in 2014 under the French label Matcha, it’s a mix of pop and French chanson vibes that feels both nostalgic and fresh. If you’re into music with emotional depth, clever lyrics, and a dash of quirky charm, this might just be your jam.
The album’s got some serious talent behind it—Fred 'Brain' Monestier is all over the place, handling bass, drums, piano, production, mixing, mastering...you name it. And Yoanna herself? She’s not just singing; she’s playing accordion and programming tracks too. The whole thing has this handmade, personal feel to it, like they didn’t just throw it together but really cared about every detail. Even the artwork by Sarah Bochaton fits perfectly—a little dreamy, a little moody, totally French.
Now, let me tell ya about two tracks that stuck with me. First off, there’s “Train Fantôme.” It’s haunting, man. Like, you can almost picture an old ghost train rolling through misty woods while Yoanna sings these poetic lines. Her voice is soft but strong, kinda like she’s whispering secrets right into your ear. The drum programming and piano give it this steady rhythm, pulling you along like you’re part of the story. I dunno why, but it made me think about missed chances and roads not taken. Heavy stuff for a pop song, huh?
Then there’s “Nos Corps,” which hits different. This one’s rawer, more stripped-down. You’ve got cello and contrabass adding this deep, earthy vibe, and Yoanna’s vocals are front and center. There’s something so intimate about how she delivers the words—it’s like she’s letting you in on something private. By the time the choir comes in, it’s almost overwhelming, in a good way. Feels like a hug when you least expect it.
One thing I gotta say—the tracklist repeats a few songs (Protège Moi, Le Roi, etc.), which threw me off at first. But honestly? After listening a couple times, it kinda works. It’s like revisiting old friends or hearing someone retell a story from another angle. Weird choice, sure, but it grows on you.
Reflecting on Princesse, it’s clear Yoanna poured her heart into this project. It’s not perfect—some parts drag a bit, and the production could’ve been punchier—but that’s what makes it real. At the end of the day, it’s less about perfection and more about connection. Oh, and here’s a random thought: if this album were a person, it’d probably wear oversized sweaters, sip red wine, and quote Baudelaire at parties. Just saying.
So yeah, check out Princesse if you’re in the mood for something thoughtful and unapologetically French. And hey, maybe grab a croissant while you’re at it. Why not?
