Album Review: A Few Too Many The Director by Genotype
Alright, buckle up, because we’re diving into Genotype’s 2011 gem, A Few Too Many The Director. This UK-born beast of an album is a masterclass in Halftime and Drum n Bass vibes, released under Ingredients Records. If you're into beats that slap harder than your morning alarm clock, this one’s for you.
First off, let’s talk about the man behind the curtain—Justin Richardson. He wrote it, produced it, and basically poured his soul into this project. And shoutout to Stuart Hawkes for mastering these tunes until they gleamed like freshly polished boots. These two didn’t just make music; they crafted an experience.
Now, onto the tracks. There are only two songs here—the titular duo “The Director” and “A Few Too Many.” But don’t let the brevity fool ya. Sometimes less is more, especially when "less" packs such a punch.
Starting with “The Director,” wowzers. It opens with this moody, cinematic vibe that feels like you’ve wandered onto the set of some gritty sci-fi thriller. The bassline hits like a truck full of subwoofers, while the intricate percussion dances around your ears like someone spilled Red Bull on a tap dancer. You remember this track not because it’s flashy but because it’s sneaky—it creeps up on you and refuses to leave. By the time the synths kick in halfway through, you’re already hooked, wondering how something so minimal can feel so massive.
Then there’s “A Few Too Many,” which flips the script entirely. This one starts playful, almost teasing you with its jittery rhythm before dropping into a groove so smooth it could sell luxury cars. The breaks are sharp enough to cut glass, and the layers build steadily, keeping you guessing what comes next. What sticks with me? The way it balances chaos and control—like watching a chef flambe without burning the kitchen down. It’s chaotic genius wrapped in precision.
So yeah, this little EP might be short, but it punches way above its weight class. Listening to it feels like finding a hidden shortcut in a video game—it’s unexpected, thrilling, and leaves you feeling kinda smug afterward.
But here’s the kicker: Why did Genotype stop at two tracks? Was he saving the rest for a sequel? Or maybe he knew perfection doesn’t need padding. Either way, A Few Too Many The Director proves that sometimes all you need is quality over quantity. Now, if you’ll excuse me, I’ve got to go listen to “The Director” again… or maybe five times. Who’s counting?
Final thought: If albums could moonlight as detectives, this one would solve crimes faster than Sherlock after three espressos.
