Georges Guétary - Au Nom De LAmour

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Review by Lisa Doesburg

Album Review: Au Nom De L’Amour by Georges Guétary – A French Pop Gem That Still Hits Like a Baguette to the Heart Alright, folks, buckle up because we’re diving into Georges Guétary’s 1971 album Au Nom De L’Amour. If you’re into vintage French pop with a side of chanson flair, this one’s for you. It’s like sipping espresso at a Parisian café—smooth, nostalgic, and just artsy enough to make you feel fancy without trying too hard. Let’s start with the obvious: this isn’t your run-of-the-mill bubblegum pop record. Nope, it’s got soul, charm, and that je ne sais quoi only French artists seem to nail. Released under Germinal Planning (whoever they are, hats off), the album delivers four tracks that’ll either tug at your heartstrings or remind you why love songs should come with a warning label. Standout Tracks You Won’t Forget (Even If You Try) First up, “On S’En Fout Tant Qu’On A La Santé.” Now, let me tell ya, this tune is basically the anthem for anyone who’s ever said, “Eh, life’s short—let’s eat cake!” The lyrics hit different when you realize how true they are. Who cares about material junk as long as you’ve got your health? Georges belts this one out like he’s lived it, and honestly? We believe him. Plus, Jean Morlier’s orchestration gives it that cinematic vibe, like you’re starring in your own black-and-white French film. Cue dramatic scarf toss. Then there’s the title track, “Au Nom De L’Amour.” Oh boy, does this one pack a punch. It’s romantic but not overly cheesy—more like the kind of song you’d slow-dance to after downing a bottle of Bordeaux. What sticks with me is how raw and heartfelt Guétary sounds here. He’s not just singing; he’s practically serenading you through time itself. And those strings? Chef’s kiss. Props to Bruno Lombard for designing an album cover that matches the mood perfectly—it’s all classy vibes without being pretentious. The Rest of the Bunch “Depuis Le Temps” feels like reminiscing about old flames while smoking Gauloises on a rainy evening. Not groundbreaking, but still solid. Meanwhile, “Un Jour Que J’Aurai Du Courage” leans more introspective, almost like Georges is having a little chat with himself about procrastination. Relatable, right? Final Thoughts (And a Random Observation) So, would I recommend Au Nom De L’Amour? Absolutely. It’s perfect for vinyl collectors, hopeless romantics, and people who enjoy staring wistfully out windows. But here’s the kicker: listening to this album made me wonder if Georges ever thought his music would end up being reviewed by some random writer decades later. Did he picture us sitting in our pajamas, Googling obscure French albums from the ‘70s? Probably not—but hey, here we are. In conclusion, Georges Guétary might not be a household name today, but Au Nom De L’Amour proves he was onto something special back then. So grab a glass of red wine, press play, and let yourself get lost in these timeless melodies. Just don’t blame me if you suddenly develop a craving for croissants afterward.

Download Georges Guétary - Au Nom De LAmour
Artist: Georges Guétary
Album: Au Nom De LAmour

Table of Contents

Download

Filename: georges-gutary-au-nom-de-lamour.zip
  • MP3 size: 24 mb
  • FLAC size: 223.2 mb

Tracks

TrackDurationPreview
On S'En Fout Tant Qu'On A La Santé2:40
Un Jour Que J'Aurai Du Courage3:10
Au Nom De L'Amour3:15
Depuis Le temps1:55

Images

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Catalog Numbers

GE 31

Labels

Germinal Planning

Listen online

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Formats

  • Vinyl
  • 7"
  • 45 RPM
  • EP
  • Stereo
  • Mono

Companies

RoleCompany
Printed ByImprimerie Offset
Distributed BySonopresse

Credits

RoleCredit
DesignBruno Lombard
Music DirectorJean Morlier
OrchestraJean Morlier
Photography ByHarry Meerson

Barcodes

  • Rights Society: BIEM
  • Matrix / Runout (Runout A): P. GE. 31 A. T
  • Matrix / Runout (Runout B): PGE 31 B - T

Interesting fact about Album

Did you know? The 1971 French pop album *Au Nom De L'Amour* by Georges Guétary blends the timeless elegance of chanson with a touch of orchestral magic. Fun fact: the same person credited as the music director, Jean Morlier, also led the orchestra. Talk about multitasking! The album cover? Shot by Harry Meerson, adding a visual charm to this classic. And get this—one of the tracks is titled *On S'En Fout Tant Qu'On A La Santé*, which roughly translates to "Who cares as long as we have our health." Pretty relatable, right?