Album Review: "You Me" by Glenn Jones
Glenn Jones’ 2020 album You Me is a soulful gem that effortlessly blends R&B and Funk/Soul vibes, staying true to its UK roots while offering something fresh. Released under the Expansion label, this record feels like a warm hug for your ears. It’s not trying too hard to impress—it just does. And honestly? That’s what makes it stick.
The album kicks off with “You & Me (R&B version),” and man, this track grabs you right away. The groove is smooth, almost hypnotic, with Jones’ vocals gliding over the instrumentation like butter on toast. There’s an authenticity here—like he’s singing directly to you, no frills or pretense. This one lingers because it doesn’t overstay its welcome; it’s short but oh-so-sweet, leaving you hitting repeat before you even realize it.
Then there’s “You & Me (Smooth Jazz Version).” If the R&B take is a cozy night in, this version is the sunset drive home after. The saxophone riffs are subtle yet striking, adding layers of emotion without overwhelming the original vibe. It’s the kind of song that sneaks up on you when you least expect it—maybe during a lazy Sunday morning or late-night chill session—and suddenly you’re lost in it. Smooth jazz done right can feel timeless, and this track nails it.
What stands out about You Me isn’t just the music itself but how intentional it feels. Jones clearly knows his lane and owns it. He doesn’t try to reinvent the wheel; instead, he polishes it until it gleams. In today’s world of overly produced tracks and auto-tuned everything, hearing something so raw yet refined is refreshing.
If I had to nitpick, I’d say the album leans heavily into its title theme, which might feel repetitive to some listeners. But personally? I think it works. It creates a cohesive listening experience rather than a scattered playlist of singles.
In the end, You Me reminds us why soul music still matters—it connects. It speaks to those universal feelings we all have but struggle to put into words. As I wrapped up my listen, I couldn’t help but wonder: does Glenn Jones know he’s crafting modern classics? Or is he just making music for himself? Either way, we’re lucky he shared it with us. Now excuse me while I hit play again…
