Album Review: Somebody New by Jonathan Peters – Electro House That Hits Different
Alright, buckle up, because we’re diving into Somebody New, the latest drop from Jonathan Peters, a Canadian wizard of beats under Rakar Records. If you’re into Electro House with enough energy to power a small city, this one’s for you. It’s like caffeine in audio form—minus the jitters (unless you crank it too loud). Let’s get into it.
First off, let’s talk about “Feeling In The Night.” This track? Absolute banger. It’s got that classic Electro House thump but layered with these sneaky little synth riffs that just crawl into your brain and refuse to leave. Like, seriously, I’ve been humming this thing while brushing my teeth. There’s something hypnotic about how it builds—slowly teasing you with soft pads before dropping the bass so hard you might need to check your pulse afterward. And those vocal chops? Subtle yet sharp, kinda like when someone says something clever at a party and you’re like, “Wait… what?” Yeah, it’s THAT kind of vibe.
Then there’s the title track, “Somebody New.” Honestly, if this song were a person, it’d be the life of every party. It’s playful, unpredictable, and has more layers than an onion (or your ex’s excuses). The melody is catchy as heck, and the drops hit harder than Monday morning after a weekend bender. What sticks out most is how Jonathan plays with tension here—it’s not just boom-boom-done; he keeps you guessing, throwing curveballs when you least expect them. You’ll find yourself rewinding bits just to figure out how he pulled it off. Sneaky genius.
Now, sure, some purists might say the album leans a bit formulaic at times. But honestly? Sometimes you don’t need reinventing the wheel—you just want a damn good ride. And Somebody New delivers exactly that. It’s fun, fresh, and doesn’t take itself too seriously—which is refreshing in a world full of overly-serious producers trying way too hard.
So yeah, give this album a spin if you’re looking to shake off whatever funk you're in—or maybe even discover a new side of yourself (cheesy, I know, but hey, music does that sometimes). One last thought though: listening to this feels like wearing neon shades on a cloudy day—bright, bold, and kinda ridiculous, but also oddly perfect. Who knew Canada could churn out such fire?
Oh, and PS—if anyone knows where I can score tickets to see Jonathan Peters live, hit me up. My speakers are starting to judge me for playing this album on repeat.
