Album Review: Primo Tempo by Lemuripop – A Synth-Pop Odyssey from 2008
Released in 2008 under Warner Music Spain, Primo Tempo by Lemuripop is an intriguing artifact of Spanish electronic music that blends synth-pop sensibilities with a touch of melancholy and introspection. The brainchild of Alex Brujas—who wears more hats on this project than a milliner at a royal wedding—the album showcases a cohesive yet varied soundscape. With contributions from talents like Sonia Erice on backing vocals and Germán Coppini’s evocative lead vocals, it's clear this wasn’t just slapped together. Carlos Faemino’s artwork and photography add a visual layer that feels as meticulously crafted as the music itself.
The album kicks off with “La Larga Noche Del Extranjero,” a track that sets the tone for what’s to come. Its pulsating synths and haunting melodies linger long after the song ends. There’s something about how the rhythm pulls you in—it’s not overly aggressive but has enough energy to keep your foot tapping. It reminds me of those nights when you’re lost in thought, staring out a window while city lights blur into streaks. Not every song nails atmosphere like this one does.
Another standout is “Moloch.” This track hits harder, with its driving bassline (courtesy of Brujas) and layered production creating a sense of urgency. If “La Larga Noche” is contemplative, “Moloch” is kinetic—a call to action wrapped in shimmering electronics. The interplay between the sequenced beats and Coppini’s vocal delivery gives it an almost cinematic quality. You can practically picture a montage scene in some indie film where someone runs through empty streets at dawn. It’s tracks like these that make Primo Tempo worth revisiting.
While the album doesn’t reinvent the wheel, it doesn’t need to. What it does well is transport listeners to a specific headspace—one filled with nostalgia, longing, and fleeting moments of euphoria. Tracks like “Fiesta De Los Maniquíes” bring a playful edge, while “Pon Tu Corazón Frente Al Descontrol” closes things on a reflective note. Even Antonio Pastora’s drumming on tracks 4 and 11 adds subtle textures that elevate the overall experience.
What strikes me most about Primo Tempo is how unpretentious it feels. Sure, there are flourishes here and there, but nothing screams "look at me!" Instead, it invites you in quietly, letting the layers unfold over repeated listens. And honestly? That’s kinda refreshing. In a world obsessed with instant gratification, albums like this remind us that patience still pays off.
Final thought: Listening to Primo Tempo feels like finding an old mixtape in the back of a drawer—you don’t remember making it, but each track brings back fragments of memories you didn’t know you’d forgotten. Or maybe that’s just me. Either way, give it a spin if you dig synth-pop with soul.
Alex Brujas (tracks: 8), Antonio Pastora (tracks: 4, 11)
Executive Producer
Alex Brujas
Guitar
Alex Brujas
Photography
Carlos Faemino
Sequenced By
Alex Brujas
Vocals
Germán Coppini
Notes
Thanks To: Faemino, Susana Egea, Justo Bagüeste, Barbara de Simone, Tomas Fdo. Flores, Buenritmo, Jordi Alhambra, Ana Muñoz, Paty Subaru, Zigor López, Isaac Rico, Elvira y los Chicos.
Interesting fact about Album
Here’s something cool: The album *Primo Tempo* by Lemuripop is like a one-person powerhouse. Almost everything on it—bass, guitar, drums, vocals, even the sequencing—was done by Alex Brujas. He didn’t just play music; he also executive produced the whole thing. Oh, and get this: Carlos Faemino handled both the artwork and photography, giving the album a cohesive visual vibe. It’s wild how much talent can come from one team, especially for a synth-pop gem out of Spain in 2008.
