Mantronix - Show Record

muniftanjim

Review by Munif Tanjim

Mantronix’s Show Record: A Raw, Unfiltered Punch to the Eardrums Alright, let’s cut the crap. Mantronix isn’t here to hold your hand or play nice. Their Show Record is a chaotic masterpiece that grabs you by the throat and doesn’t let go. Released in the US, this album slaps hard, blending old-school vibes with an edge that feels like it was made for people who don’t have time for weak beats. It’s raw, unapologetic, and damn near unforgettable. Take “Ladies,” for example. This track hits different because it’s not just another lovey-dovey anthem trying too hard to be smooth. Nah, this one’s got attitude—like walking into a room full of confidence and knowing everyone’s eyes are on you. The beat? Straight fire. The lyrics? Cocky but clever. You can feel the energy pulsing through your chest, and honestly, I couldn’t stop nodding my head even if I tried. If there’s one song that screams, “I’m here, deal with it,” it’s this one. Then there’s “Needle To The Groove.” Shit, where do I even start? This track is pure adrenaline wrapped in synth magic. It’s like someone took all the best parts of 80s electro-funk and injected them straight into your veins. The bassline alone could wake the dead, and the scratching? Oh hell yeah—it’s sharp enough to cut glass. Listening to this feels illegal somehow, like you’re breaking some unwritten rule about how music should sound. That needle stays stuck in the groove alright, dragging you along whether you like it or not. Now, full disclosure—I skipped over “Scream” mostly cuz I wasn’t feeling its vibe as much. Not every track has to knock me out, right? But overall, Show Record delivers exactly what Mantronix promised: no chill, no filler, just straight-up heat. Here’s the kicker though—listening to this album feels like stepping back into a time machine, except instead of nostalgia, you get punched in the face by how fresh it still sounds. Like…what year is it again? Forget those polished playlists everyone’s pushing; this is real music for people who want grit, noise, and soul. Final thought? Mantronix didn’t care about trends when they dropped this gem—and maybe that’s why it hits so hard decades later. Or maybe they just knew we’d all need something wild to lose our minds to someday. Either way, respect.

Download Mantronix - Show Record
Artist: Mantronix
Album: Show Record

Table of Contents

Download

Filename: mantronix-show-record.zip
  • MP3 size: 16.8 mb
  • FLAC size: 150.3 mb

Tracks

TrackDurationPreview
Needle To The Groove
Ladies
Scream

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Formats

Vinyl

About Mantronix

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Mantronix, one of the most innovative hip-hop acts of all time, was founded by Kurtis el Khaleel, who was born in Jamaica, though his family soon moved to Canada and ended up in New York by the late 1970s. During high school, Khaleel wanted to be in a band but couldn't find anyone who wanted to be in a band with him, so he bought a Roland TR-606 drum machine and a Roland TB-303 bass machine, and mastered them quickly. Taking the stage name Mantronik (although some sources claim he was born with that name), he soon began DJing around the city and was working behind the decks at Manhattan's Downtown Records when he met Haitian-born MC Tee, (Touré Embden). After the duo had assembled a demo tape, they gave it to William Socolov, president of Sleeping Bag Records. He signed Mantronix soon after hearing it, and released its debut single, "Fresh is the Word." The track lit up New York's streets and clubs during 1985. In 1986, Mantronix's debut full-length The Album was released. Two new singles, "Needle to the Groove" and "Bassline," became big street hits in New York and, amazingly, even crossed over to join the first wave of hip-hop chart-makers in Britain. By that time, Mantronik had also begun working as an A&R representative at Sleeping Bag, where he signed , produced 's first credit ("Success Is the Word" by 12:41), and helmed other intense tracks by Tricky Tee, , and . The second Mantronix LP, Music Madness, continued to keep the duo fresh in the clubs. The increasing popularity of hip-hop gave Mantronix a chance at a major-label contract, and by 1987, the duo signed with Capitol/EMI, which created a legal battle between Sleeping Bag and the grouptheir old label claimed that they were owed two more albums. In Full Effect was released in 1988, and it portrayed Mantronik jettisoning many his more hardcore inclinations in favor of a fusion of dance and R&B. The production excursion "Do You Like...Mantronik?" proved that Mantronik's ear for clever beats remained, however, and Mantronix's success in Britain prompted several of the first sampladelic hits, such "Pump up the Volume" by M/A/R/R/S and "Theme from S'Express" by S'Express. Soon after its third album, MC Tee left to join the Air Force. Mantronik replaced him with (a cousin of LL Cool J) and DJ Dee (Mantronik's own cousin). With 1990's This Should Move Ya, Mantronik made the move from hip-hop into more straight-ahead dance music. With vocalist Wondress in tow, a pair of Mantronix singles stormed the British Top 20, including the top-five "Got to Have Your Love." Mantronik still used the MCs, he but continued to work in dance music with the group's last album, 1991's The Incredible Sound Machine. As a group entity, Mantronix disappeared at that point. Mantronik began producing other actsmostly female vocalists or latin freestyle actsand later exited music altogether, getting married and raising a family, eventually having a son nicknamed Boytronik. Mantronik returned in the mid-1990s as a breakbeat elder statesman, recording as Kurtis Mantronik and providing remixes for EPMD, the Future Sound of London, and Violet. A Mantronix respective and several album reissues began filtering out in 1999, and Mantronik began recording a new solo album later that year.

Real Name

    • Kurtis Khaleel & Touré Embden

Name Vars

  • K. Mantronix
  • Mantro
  • Mantronics
  • Mantronik
  • Mantronix'

Members

  • Bryce Wilson
  • Kurtis Khaleel
  • Toure Embden
  • Jade Trini

Interesting fact about Album

Here’s a cool fact: The album *Show Record* by Mantronix, from the US, blends hip-hop and electronic vibes in a way that feels ahead of its time. Tracks like "Ladies," "Needle To The Groove," and "Scream" showcase their knack for mixing beats that are both funky and futuristic. It's wild how they managed to create such a unique sound back then.