Alright, let’s dive into this electronic gem inspired by Marcel Agterhuis. Released in 2019 under Hypnotized Records, this Eurodance album is a total vibe from the Netherlands. It’s got that nostalgic dancefloor energy but with a modern twist—thanks to Marcel Agterhuis pulling all the strings as arranger and producer, while Michael Krätz handles the writing and vocals. The result? A solid mix of emotional beats and infectious hooks.
Now, I gotta say, two tracks really stuck with me: “Lying (Reprise)” and “You And I Are Meant To Be.”
“Lying (Reprise)” hits different because it feels like a second chance at understanding something you missed the first time around. You know how some songs just grab you by the feels without being too loud about it? That’s what this one does. The beat builds up slowly, almost teasing you, and then BAM—it drops, and suddenly you’re caught up in its rhythm. There’s this bittersweet tension in the lyrics that matches perfectly with the pulsing synths. Honestly, it’s one of those tracks where you think, “Yeah, I’ve been there,” even if you don’t wanna admit it.
On the flip side, “You And I Are Meant To Be” is pure euphoria wrapped in a shiny Eurodance bow. Like, imagine cruising down an empty highway at night with your best playlist on shuffle, and THIS song comes on. Suddenly, everything makes sense—you, life, love, all that cheesy stuff. Michael Krätz’s vocals here are smooth yet full of conviction, making it impossible not to sing along (badly, in my case). Plus, the drop after the chorus? Absolute fire. It’s the kind of track that could make anyone believe in destiny—even skeptics like me.
The rest of the album keeps the momentum going strong. Tracks like “Dying Young” and “Lonely Soldier” bring depth and grit, while bonus cuts like “The Future I Saw Has Faded” add layers for those who stick around till the end. But honestly, every single track has its own flavor, keeping things fresh throughout.
What strikes me most about this project is how cohesive it feels despite having so many moods. It’s clear Marcel Agterhuis knows his craft inside out—he doesn’t just slap beats together; he crafts them. And Michael Krätz’s voice ties everything together beautifully, giving the whole thing a personal touch.
But here’s the kicker—I wasn’t expecting to feel nostalgic listening to an album released in 2019. Yet, somehow, these tunes remind me of late-night raves back in the day when Eurodance ruled the world. Maybe it’s the retro vibes mixed with futuristic sounds, or maybe it’s just me getting old. Either way, this album slaps harder than I thought it would.
So yeah, if you’re into Eurodance or just need something new to pump up your playlist, give this one a spin. Just be ready to hit repeat—a LOT.
