Marshall Crenshaw - Field Day
Table of Contents
Download
Filename: marshall-crenshaw-field-day.zip- MP3 size: 116.8 mb
- FLAC size: 732.8 mb
Tracks
Track | Duration | Preview |
---|---|---|
Our Town | 4:10 | |
Whenever You're On My Mind | 3:18 | |
All I Know Right Now | 3:50 | |
For Her Love (Remix) | ||
One Day With You | 4:57 | |
For Her Love (Extended Mix) | ||
Monday Morning Rock (Remix) | ||
Whenever You're on My Mind | 03:18 | |
For Her Love | 3:01 | |
Our Town (Remix) | ||
One More Reason | 3:33 | |
Monday Morning Rock | 3:31 | |
What Time Is It? | 2:54 | |
Little Sister (Live) | ||
Try | 3:08 | |
Hold It | 3:46 |
Images






Catalog Numbers
- 1-23873, 9 23873-1
- 9 23873-2, 1-23873
- WB 23873-4, 4-23873
- W2 23873
- 92 38731
- 9 23873-1, 1-23873
- 92-3873-1
- W1-23873, 9 23873-1
- 23873-1
- WPCR-1712
- 9 23873-2
- WOU 3873
- 9 23873-1, IR-015
Labels
- Warner Bros. Records
- Wounded Bird Records
- Warner Bros. Records, Intervention Records
Listen online
- escuchar en línea
- online luisteren
- online anhören
- lytte på nettet
- lyssna på nätet
- ouvir online
- ascolta in linea
- écouter en ligne
- kuunnella verkossa
Formats
- Vinyl
- LP
- Album
- Allied Pressing
- Promo
- Cassette
- AR
- Dolby
- CD
- Club Edition
- CH
- Jacksonville Pressing
- Dark Cream
- Reissue
- Winchester Pressing
- SR
- Remastered
- 180g Vinyl
- 12"
- 45 RPM
- EP
- 180g All Media
Companies
Role | Company |
---|---|
Mastered At | Sterling Sound |
Recorded At | Power Station |
Copyright (c) | Warner Bros. Records Inc. |
Phonographic Copyright (p) | Warner Bros. Records Inc. |
Published By | Belwin-Mills Publishing Corp. |
Pressed By | Allied Record Company |
Produced For | Jevrest, Ltd. |
Record Company | Warner Communications |
Duplicated By | Allied Record Company |
Manufactured By | Columbia House |
Licensed To | Columbia House |
Distributed By | WEA Music Of Canada, Ltd. |
Marketed By | WEA Records (Pty) Ltd. |
Made By | WEA Musik GmbH |
Lacquer Cut At | Sterling Sound |
Manufactured For | Intervention Records |
Printed By | Stoughton Printing Co. |
Credits
Role | Credit |
---|---|
Bass | Chris Donato |
Vocals | Chris Donato |
Design | M&Co. |
Drums | Robert Crenshaw |
Effects | Robert Rakita |
Engineer | Scott Litt |
Guitar | Marshall Crenshaw |
Management | International Talent Group, Joel Peresman, Wayne Forte |
Mastered By | Greg Calbi |
Photography By | Larry Williams |
Producer | Steve Lillywhite |
Written-By | Marshall Crenshaw |
Lacquer Cut By | Greg Calbi |
Remastered By | Kevin Gray |
Notes
- Allied Record Company pressing denoted by stamped "ɑ" symbol in runouts.
- Recorded at Power Station, NYC, Feb 1983.
- Originally Mastered at Sterling Sound, NYC.
- © 1983 Warner Bros. Records Inc.
- ℗ 1983 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S.
- Made in U.S.A.
- Printed inner sleeve includes lyrics.
- All songs © 1983 Belwin / Mills Publishing Corp. / MHC Music ASCAP except "Whenever You're On My Mind" © 1982 MHC Music ASCAP / Bill Teeley Music BMI, and "What Time Is It?", © 1962 Warner-Tamerlane Publishing Corp. / Harvard Music Inc. BMI.
- Names on the album: Ione, Mitchell Crenshaw, John Crenshaw, Jeff Osborne, Lisa Ferrari, Mark Elliott.
- Thanks for stopping by: Mike Osborn for percussion on "Monday Morning Rock" and invaluable assistance throughout.
- Thanks to Peter Shukat, all at Sound Advice, ITG and Warner Bros.
- Promotional copies issued with gold promo stamp on sleeve.
- "SLM △" in the runout etching indicates that the lacquer disc was processed, and the metal parts used to manufacture the record were made, at Sheffield Lab Matrix.
- Runouts: "sᴛᴇʀʟɪɴɢ" (STERLING) and "ɑ" (Allied Record Co. logo) are stamped; "⚾" (Greg Calbi's baseball) is hand-scripted.
- Stamp on front cover: "Lent for Promotional Use Onlu Any Sale or Unauthorized Transfer is Prohibited and Void. Subject to Return Upon Demand by Owner. Acceptance of This Record Constitutes Agreement to the Above.
- Durations timed from playback.
- Manufactured and Distributed by WEA Music of Canada Ltd.
- Dark cream labels with tan horizontal lines and address in perimeter.
- Capitol Records Pressing Plant, Jacksonville pressing as denoted by '0' stamped and 'JW' etched in runouts.
- Find the Jacksonville pressing version with light cream labels here > Marshall Crenshaw - Field Day.
- Find the Winchester pressing with horizontal lines here > Marshall Crenshaw - Field Day.
- Find the Winchester pressing with ghost label here > Marshall Crenshaw - Field Day.
- Find the Allied pressing version here > Marshall Crenshaw - Field Day.
- Catalog number 9 23873-1 is found on the spine.
- Catalog number 1-23873 is found on the labels.
- Printed polylined inner sleeve containing lyrics.
- Completely different label. No writings at the rim, no WEA logo at the bottom, no "a Warner Communications Company" at the bottom etc.
- Producer: for Jevrest, Ltd.
- No barcode.
- Catalog # W1-23873 appears on cover and labels.
- Catalog # 9 23873-1 appears on bottom of inner sleeve.
- Producer: Steve Lillywhite for Jevrest, Ltd.
- Manufactured by Columbia House Under License.
- ℗ © 1983 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S.
- Manufactured in Germany by Record Service GmbH, Alsdorf.
- Made in Germany by WEA Musik GmbH.
- Originally mastered by Greg Calbi at Sterling Sound, NYC.
- Belgique/België: Distributed by WEA Records S.A./N.V.
- Deutschaland: Vertrieb durch WEA Musik GmbH.
- England: Distributed by WEA Records Ltd.
- España: Edita WEA Records S.A.
- France: Distribué par WEA/Filipacchi Music, Paris.
- Italia: Distributed by WEA Italiana S.P.A.
- Nederland: Distributed by WEA Records B.V.
- Österreich: Vertrieb durch WEA Music Ges.m.b.H.
- Sverige: Distributed by WEA Metronome AB.
- Marketed in South-Africa by WEA Records (PTY) Limited.
- Includes a printed inner with lyrics
- Made in Japan on disc and tray card.
- Japanese letters on the spine.
- Producer: Steve Lilywhite for Jevrest, Ltd.
- First label number on side panel, second is on cassette.
- Names on the album: Ione, Mitchell Crenshaw, John Crenshaw, Jeff Osborne, Lisa Ferrari, Mark Elliott
- Thanks for stopping by: Mike Osborn for percussion on "Monday Morning Rock" and invaluable assistance throughout
- "SLM △" in the runout etching indicates that the lacquer disc was processed at, and the metal parts used to manufacture the record were made at Sheffield Lab Matrix.
Barcodes
- Matrix / Runout (Runout A etched / ɑ, STERLING stamped (Var. 1)): 1-2-3873-A-J̶ SH1 ɑ B-17912-SH1 SLM △4040 1-1 sᴛᴇʀʟɪɴɢ ⚾
- Matrix / Runout (Runout B etched / ɑ, STERLING stamped (Var. 1)): 1-2̶-23873-B-SH2 ɑ B-17913-SH2 SLM △4040-X 1-1 sᴛᴇʀʟɪɴɢ ⚾
- Matrix / Runout (Runout A etched / ɑ, STERLING stamped (Var. 2)): 1-2-3873-A-J̶ SH1 ɑ B-17912-SH1 SLM △4040 1-1 sᴛᴇʀʟɪɴɢ ⚾
- Matrix / Runout (Runout B etched / ɑ, STERLING stamped (Var. 2)): 1-2̶ 23873-B-SH1 ɑ B-17913-SH1 SLM △4040-X 1-1 sᴛᴇʀʟɪɴɢ ⚾
- Rights Society (A1 to B3, B5): ASCAP
- Rights Society (A1, B4): BMI
- Barcode (Text): 0 7599-23873-1
- Barcode (Scanned): 075992387316
- Barcode: 7599-23873-1
- Barcode: 0 20831-4398-2 44
- Matrix / Runout: 1 23873-2 SRC=01
- Matrix / Runout (Side 1, etched): 92-38731-A jw
- Matrix / Runout (Side 2, etched): 92-38731-B jw
- Matrix / Runout (A side etch, except 0 STERLING stamp): 1-2-3873-A-JW2 #1 0 STERLING Ⓗ
- Matrix / Runout (B side etch, except 0 STERLING stamp): 1-2-3873-B-JW4 #1 0 STERLING Ⓗ
- Rights Society: BMI, ASCAP
- Barcode: 0 7599-23873-1
- Label Code: LC 0392
- Price Code (Germany): U
- Price Code (France): WE 361
- Rights Society: GEMA/BIEM
- Matrix / Runout (Side 1 runout - variant 1): R/S Alsdorf 923873-1 A (stamped) D RME (etched)
- Matrix / Runout (Side 2 runout - variant 1): R/S Alsdorf 923873-1 B (stamped) 4 RME (etched)
- Matrix / Runout (Side 1 runout - variant 2): R/S Alsdorf 923873-1 A (stamped) ZA RME (etched)
- Matrix / Runout (Side 2 runout - variant 2): R/S Alsdorf 923873-1 B (stamped) 4 RME (etched)
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side 1 Etched): 1-2-3873-A-WW8 —◁
- Matrix / Runout (Side 2 Etched): 1-2-3873-B-WW1 #2 —◁
- Matrix / Runout (Stamped Both Sides): STERLING
- Matrix / Runout (Side 1 [Stamped]): W 1-23873 A-1A
- Matrix / Runout (Side 2 [Stamped]): W 1-23873 B-1A
- Matrix / Runout (A-side runout, stamped): R/S Alsdorf 923873-1 A2
- Matrix / Runout (A-side runout, etched): RME 5
- Matrix / Runout (B-side runout, stamped): R/S Alsdorf 923873-1 B2
- Matrix / Runout (B-side runout, etched): RME GB 9
- Rights Society: none
- Other (Category, cassette): 92-3873-4
- Barcode: 4 943674 171224
- Matrix / Runout (Side 1 Etched (except "STERLING," stamped) (variant 1)): 1-2-3873-A-WW8 Ⓗ —◁ STERLING
- Matrix / Runout (Side 2 Etched (except "STERLING," stamped) (variant 1)): 1-2-3873-B-WW1 #2 Ⓗ —◁ STERLING
- Matrix / Runout (Side 1 Etched (except "STERLING," stamped) (variant 2)): 1-2-3873-A-WWC —◁ STERLING X (in a circle)
- Matrix / Runout (Side 2 Etched (except "STERLING," stamped) (variant 2)): 1-2-3873-B-WW2 #2 —◁ STERLING Ⓗ
- Barcode: 075992387323
- SPARS Code: AAD
- Matrix / Runout: 1-2-3873-A [J (crossed out)] SH1 B-17912-SH1 SLM △4040 1-1
- Matrix / Runout: 1-[2 (crossed out)]-23873-B-SH2 B-17913-SH2 SLM △4040-X 1-1
- Matrix / Runout (Runout, Stamped): STERLING (stamped balloon)
- Matrix / Runout (Runout, Script): [(H script inside circle) appears after STERLING]
- Barcode (Text): 6 64140 38732 4
- Barcode (Scanned): 664140387324
- Barcode: 707129301390
- Matrix / Runout (Side 1 Etched): 1-2-3873 A- JW 1-1
- Matrix / Runout (Side 2 Etched): 1-2-3873 B-JW 4
About Marshall Crenshaw
American singer/songwriter and guitarist, born November 11, 1953 in Detroit, Michigan.
Real Name
- Marshall Howard Crenshaw
Name Vars
- CM
- Crenshaw
- M. Creenshaw
- M. Crenshaw
- M. Grenshaw
- M.C.
- M.Crenshaw
- MARSHALL / CRENSHAW
- MC
- Marshal / Crenshaw
- Marshal Crenshaw
- Marshal/Crenshaw
- Marshall \
- Marshall H Crenshaw
- Marshall Howard Crenshaw
- wahsnerC llahsraM
Comments
No offense to his excellent debut, but when I want to listen to MC this is the collection I reach for first. Sound is more muscular, drums louder, without abandoning that late 50s/early 60s perfect pop sound that Crenshaw is known for. Standouts are the opening and closing tracks...but there's much to love here. Listen to the record all of the way through. Upbeat and hypnotic.