Album Review: Jesus I Love You by Quincy Fielding Jr Choral Ensemble
Alright, let’s talk about Jesus I Love You by the Quincy Fielding Jr Choral Ensemble. Released in 1976 on Savoy Records, this album is a funky gospel ride that’ll have you clapping your hands and maybe even shouting “Amen!” at the top of your lungs. The mix of Christian themes with soulful grooves makes it stand out from other gospel albums of its time. It’s not just church music—it’s got swagger.
Now, there are some tracks here that really stuck with me. First up, “I Feel A Change In My Life.” Man, this one hits different. It’s like those moments when you’re walking down the street and suddenly realize you’ve been carrying around too much baggage—literally or spiritually—and something clicks. The vocals soar, the choir backs it up with so much energy, and the bassline? Chef’s kiss. You can’t help but feel like change is possible after hearing this track. Like, yeah, I could clean my room today...or maybe start being nicer to people who annoy me. Gospel meets motivation, y’know?
Another banger is “Jesus Got A Hold On Me.” This song is straight fire (excuse the secular phrase). It’s got this infectious rhythm that feels more like a dance floor anthem than traditional church music. The way they repeat “Jesus got a hold on me” builds into this ecstatic crescendo—it’s impossible not to move. Honestly, if someone told me this was secretly sampled for a 70s funk hit, I’d believe them. It’s joyful, raw, and kinda makes you wanna grab a tambourine and join in.
The rest of the album keeps the vibes going strong. Tracks like “Greet Somebody In Jesus’ Name” bring back memories of family reunions where everyone’s hugging and laughing while trying to stay holy. And yeah, there’s a bit of repetition with songs listed twice—like “I Feel A Change In My Life” and “I’ve Got To Stay Humble”—but honestly, it doesn’t bother me. If anything, it feels intentional, like reminding yourself over and over again what matters most.
What’s wild is how fresh this album still sounds decades later. Sure, the production screams ‘70s, but the messages and melodies are timeless. Listening to it feels like stepping into a time machine where faith and funk collide without losing their authenticity.
Final thought? This album reminds me why gospel music has always been ahead of the curve—it’s real talk set to killer beats. Oh, and fun fact: I bet even atheists would vibe to “Jesus Got A Hold On Me.” Just saying.
