Shadows by Ricky Pedretti: A Gritty Electro House Banger That Still Hits Hard
Alright, let’s get real for a sec. Ricky Pedretti’s Shadows isn’t your typical polished, overproduced electronic album—it’s raw, it’s loud, and damn, does it slap. Released back in 2014 under Big Alliance Records outta Belgium, this sucker punches you right in the eardrums with its relentless beats and gritty synths. If you’re into Electro House that doesn’t hold back, this is the kind of record you’ll wanna crank up till your neighbors hate you.
First off, the title track "Shadows" is an absolute beast. It kicks off with this haunting vibe—like someone whispering in your ear while strobe lights flash in your face—and then BOOM, the drop hits harder than your ex on a bad day. The bassline? Insane. It’s one of those tracks where you can practically feel the vibrations in your chest. Plus, it's got this kinda moody undertone that sticks with you long after the music stops. I mean, who doesn’t love a tune that makes you wanna lose your mind but also stare into the void?
And then there’s “Mother, I’d Like To Funk!”—yeah, WTF kind of title is that? But don’t let the weird name fool ya; this jam slaps HARD. It’s funky as hell, blending groovy basslines with glitchy effects that make you wanna dance like nobody’s watching—or maybe punch something if you’re not in the mood to move. Either way, it’s wild, chaotic, and impossible to ignore. Honestly, it feels like Pedretti just threw everything at the wall here, and somehow, it all stuck.
The remixes are solid too, though they lean more predictable compared to the originals. The Riberaz Remix of “Shadows” adds some extra drama with darker tones, while the Bsharry Remix brings a cleaner, techier edge. They’re cool, sure, but honestly? Nothing beats the raw energy of the OG cuts.
So yeah, Shadows might be almost a decade old now, but it still holds up like a champ. Maybe it’s because it’s unapologetically rough around the edges, or maybe it’s just because we need more albums that sound like they were made by someone who gives zero fucks about trends. Whatever the case, give this thing a spin if you want music that actually feels like something instead of background noise.
Oh, and hey—fun fact: listening to this album feels like being inside a rave in some abandoned Belgian warehouse. Which, honestly, sounds about right coming from a dude based in Belgium. Coincidence? Doubt it.
