With Eyes Closed by Senza Nome: A Dreamy Dive into Abstract Soundscapes
Alright, let’s talk about With Eyes Closed by Senza Nome. Released in 2010 under Michele Grassani’s self-released label (props to indie artists out here grinding), this album is like that one friend who doesn’t say much but makes you feel everything. It blends modern classical vibes with abstract, ambient textures and minimal beats—a combo that feels both futuristic and timeless. If you’re into music that whispers instead of shouts, this one's for you.
The tracklist? Solid all around, but two songs stuck to my brain like gum on a hot sidewalk: “Il Riflesso Del Cielo Sul Mare” and “Nostalgia Del Vento.” Let me break it down.
“Il Riflesso Del Cielo Sul Mare” hits different—it’s basically the auditory version of staring at the ocean while overthinking life choices. The piano melodies are soft yet deliberate, kinda like someone tracing shapes on your palm. There’s this underlying tension, almost as if the music knows something you don’t. You can hear little glitches and echoes creeping in, giving it an electronic edge without being too flashy. Honestly, it’s the kind of song that makes you wanna sit by a window during rain, just vibing and pretending you’re in a moody indie film.
Then there’s “Nostalgia Del Vento,” which is... well, nostalgic AF. Like, I’m not even sure what memories it’s pulling from because half the time I’m making up scenarios in my head while listening. The layers build so subtly you barely notice until BAM—you’re swimming in sound. It’s got this airy quality, like wind brushing past your ears (pun totally intended). And damn, does it linger. I found myself zoning out mid-conversation once because I could still hear those haunting tones looping in my mind. Not great for social situations, but perfect for introspection.
Other tracks like “Opening” and “Closing” bookend the album nicely—simple, atmospheric pieces that feel like breathing exercises. Meanwhile, “Floated” lives up to its name, floating somewhere between dreamland and reality. Each piece flows seamlessly into the next, creating this cohesive journey that feels meditative rather than chaotic.
Here’s the kicker though: With Eyes Closed isn’t trying too hard to impress anyone. That’s what makes it special. It’s unapologetically itself, a quiet masterpiece hiding in plain sight. In a world obsessed with loud drops and instant gratification, this album reminds us that sometimes beauty lies in restraint.
Oh, and fun fact? After finishing the last track, I realized I’d been holding my breath. True story. Maybe that’s why it stuck with me—or maybe it’s just really, really good. Who knows?
