Various - Landeswettbewerb Baden Württemberg Jugend Jazzt 1999

nicolenightly

Review by Nicole Nightly

Album Review: Landeswettbewerb Baden Württemberg Jugend Jazzt 1999 Released in 1999 under the German label Chaos, Landeswettbewerb Baden Württemberg Jugend Jazzt 1999 is a hidden gem that captures youthful energy and technical brilliance within the jazz genre. Featuring an ensemble of talented young musicians from Germany, this compilation feels like a snapshot of raw creativity and disciplined artistry. The album showcases a mix of standards and original compositions, with tracks like "All Blues" and "Rumpelstilzchen" standing out for their vivid storytelling and dynamic execution. "All Blues," a classic Miles Davis tune, gets a fresh treatment here. It’s not just another cover—it feels alive. The band stretches out on this track, letting loose with solos that are both confident and exploratory. You can hear how much fun they’re having while still respecting the roots of the piece. The interplay between the rhythm section and the horn leads is tight yet spontaneous, proving these youngsters aren’t just playing notes; they’re telling a story. It sticks in your head because it balances tradition with personality—something many tribute performances fail to achieve. Then there’s "Rumpelstilzchen," which brings a quirky charm all its own. This one grabs attention immediately with its playful melody and unpredictable twists. It’s as if someone took a Brothers Grimm tale and gave it a swing beat. The arrangement has moments where you think you know where it's going, but then BAM! A sudden shift throws you off guard—in the best way possible. Tracks like this remind us why jazz remains such an exciting genre: anything goes, and when done well, it leaves listeners grinning ear to ear. Photography credit goes to Hans Kumpc (oops, typo meant to say Kumpf), whose work adds a fittingly gritty aesthetic to the album cover—a nod to the chaos hinted at by the label name. And speaking of chaos, some tracks do feel slightly uneven, perhaps due to the youthful inexperience of the players. But honestly? That imperfection only makes it more endearing. It’s proof that even legends start somewhere humble. As the final notes fade away, you're left pondering something unexpected: what happens to these young talents after this recording? Did life steer them toward careers in music or elsewhere? In a world obsessed with overnight fame, albums like Jugend Jazzt 1999 serve as gentle reminders that sometimes, the beauty lies simply in creating—for no other reason than love of the craft. So give this album a listen. Who knows? Maybe you’ll find yourself humming “Rumpelstilzchen” while stuck in traffic tomorrow.

Download Various - Landeswettbewerb Baden Württemberg Jugend Jazzt 1999
Artist: Various
Album: Landeswettbewerb Baden Württemberg Jugend Jazzt 1999

Table of Contents

Download

Filename: various-landeswettbewerb-baden-wrttemberg-jugend-jazzt-1999.zip
  • MP3 size: 118.4 mb
  • FLAC size: 897.6 mb

Tracks

TrackDurationPreview
Blue Rondo A La Turk3:02
It's Oh So Nice4:18
The More I See You2:12
Channel One Suite5:29
Vampsdance2:39
Brainstorm8:20
Blessed Relief2:55
Mercy, Mercy, Mercy5:31
Danzdoppich2:54
Son Of Mr. Green Genes2:41
All Blues7:52
Rumpelstilzchen3:41
Well You Needn't1:47
Hill Where The Lord Hides6:10
Some Skunk Funk4:06
Haitian Fight Song1:45

Images

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Catalog Numbers

CACD 8143

Labels

Chaos

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Formats

  • CD
  • Compilation

Companies

RoleCompany
Mixed AtBauer Studios Ludwigsburg
Mastered AtBauer Studios Ludwigsburg
Engineered AtBauer Studios Ludwigsburg

Credits

RoleCredit
Photography ByHans Kumpf

Barcodes

  • Matrix / Runout: CACD 8143 P+O-45319-A2 11-99
  • Label Code: LC 07326
  • Mastering SID Code: IFPI L962

Interesting fact about Album

Here’s something cool: the album *Landeswettbewerb Baden Württemberg Jugend Jazzt 1999* is a hidden gem from Germany’s jazz scene. Released in 1999 under the Chaos label, it features young talents showcasing their skills. One standout track, *"Blue Rondo A La Turk,"* is a nod to Dave Brubeck’s classic style. And fun fact—Hans Kumpf, who took the album photos, captured the vibe perfectly. It’s like a time capsule of youthful energy and creativity from that era.