Numba1viktim by Wiardon: A Gritty Slice of Underground Hip Hop
Wiardon’s Numba1viktim, dropped in 2018, is the kind of Hip Hop album that sneaks up on you. It doesn’t scream for attention with flashy features or overproduced beats but instead lets its raw storytelling and minimalist production speak for itself. Hailing from the US and released under the “Not On Label” banner, this project feels like a DIY gem—crafted with care but without any pretense. The artwork by Ayjrian Tiu sets the tone: gritty, unpolished, yet intriguing. And when Kaam Beats’ mixing comes into play, it all clicks into place.
What makes Numba1viktim stand out isn’t just Wiardon’s pen game—it’s how he delivers his bars. His flow has an almost conversational vibe, as if he’s spilling truths over coffee rather than trying to impress anyone. Tracks like “White Chalk” and “Heaven Or Hell” stick with me because they’re packed with vivid imagery and emotional weight.
Take “White Chalk,” for instance. This track hits hard, both lyrically and sonically. Over a haunting beat, Wiardon paints a picture of struggle and resilience, referencing themes that feel deeply personal yet universal. You can tell he’s been through some stuff—he doesn’t glamorize pain; he just lays it bare. There’s something about the way he switches between vulnerability and defiance that keeps you hooked. By the time the hook loops back around, you’re nodding your head and maybe even replaying it to catch lines you missed the first time.
Then there’s “Heaven Or Hell.” This one’s got a cinematic vibe, like the soundtrack to a late-night drive through dimly lit streets. Wiardon flexes his versatility here, switching flows effortlessly while dropping introspective bars about life choices and consequences. The production complements his delivery perfectly—a moody bassline paired with eerie synths creates a tension that never fully resolves, leaving you hanging on every word. It’s the type of song you’d throw on repeat when you need to clear your mind or hype yourself up before a big moment.
The rest of the album holds its own too. From the aggressive energy of “Keyser Soze” to the reflective vibes of “Nine Lives,” each track adds another layer to Wiardon’s world. Even skits like “Texas Weather // Underkover” give the project a cohesive feel, making it more than just a collection of songs—it’s a journey.
One thing worth noting is how real this album feels. No gimmicks, no pandering to trends. Just Wiardon doing what he does best: telling stories and spitting bars straight from the soul. Sure, the lack of mainstream polish might turn off listeners who crave radio-ready hits, but for those willing to dive deeper, Numba1viktim offers plenty of rewards.
In the end, this album reminds me of why I fell in love with Hip Hop in the first place—it’s authentic, unfiltered, and human. Funny enough, listening to it feels like flipping through someone’s journal, except instead of pages, you’ve got beats and rhymes. If you’re looking for something fresh but grounded, Numba1viktim deserves a spot in your rotation. Just don’t expect it to hold your hand—it’ll make you work for it, and trust me, it’s worth the effort.
