Xenakis, Marius Constant, Ensemble Ars Nova - Oresteia
Table of Contents
Download
Filename: xenakis-marius-constant-ensemble-ars-nova-oresteia.zip- MP3 size: 12.8 mb
- FLAC size: 197.2 mb
Tracks
Track | Duration | Preview |
---|---|---|
Eumenides | ||
Chœphores (2e Partie) | ||
Chœphores (1ère Partie) | ||
Agamemnon |
Video
Iannis Xenakis Oresteïa (1966)
Images




Catalog Numbers
ERA 9137Labels
EratoListen online
- ascolta in linea
- ouvir online
- écouter en ligne
- kuunnella verkossa
- escuchar en línea
- lytte på nettet
- lyssna på nätet
- online anhören
- online luisteren
Formats
- Vinyl
- LP
- Album
- Reissue
Companies
Role | Company |
---|---|
Phonographic Copyright (p) | Éditions Costallat |
Credits
Role | Credit |
---|---|
Artwork | Labourasse |
Choir | Ensemble Vocal Stéphane Caillat, Maitrise de Notre-Dame de Paris |
Directed By | Marius Constant |
Engineer | Claude Ermelin |
Ensemble | Ensemble "Ars Nova" |
Liner Notes | Claude Rostand |
Notes
℗ Éditions Costallat 1970Barcodes
- Rights Society (On labels [boxed]): SACEM SACD SDRM SGDL
- Other (Price Code letter): C
About Xenakis, Marius Constant, Ensemble Ars Nova






Iannis Xenakis (born 29 May 1922, Brăila, Romania - died 4 February 2001, Paris, France) was a Romanian-born Greek-French composer, music theorist, architect and engineer. Was married to .
He is regarded as one of the most radical and important composers of the twentieth century. He formulated a theory of stochastic music in the early 1950's, and in late 1954 he was accepted as a member of the Groupe De Recherche De Musique Concrète. He later joined . He pioneered the use of computers for musical composition in 1961. As an architect, he worked with and designed the Philips Pavilion for the Brussels World's Fair in 1958. In 1963, he published Musique Formelles, a collection of his articles relating music, architecture, and mathematics. In 1972, he founded CEMAMu (Centre d'Etudes de Mathématique et Automatique Musicales) in Issy-les-Moulineaux, just outside of Paris. He has composed for a wide range of instrumental ensembles and solos, and his 'polytopes', sound and light spectacles, have been performed in a number of localities, including: Persepolis (1971), Paris (1972), Mycénes (1978) and again in Paris (1978).
Real Name
- Γιάννης (Ιάννης) Ξενάκης
Name Vars
- I. Xenakis
- Ianis Xenakis
- Ianniz Xenakis
- Jannis Xenakis
- Xenakis
- Xénakis
- Y. Xenakis
- Y. Xenakis
- Y.X.
- Yannis Xenakis
- Γιάν. Ξενάκης
- Γιάννης Ξενάκης
- Ι. Ξενάκης
- Ιάννης Ξενάκης
- Ξenakis
- Ξενάκης
- ¤¢Ë¹û¯»Ê¹
- ¯»Ê¹
- ä˹û¯»Ê¹
Comments
11:44 lol
It's so satisfying how it ends in total chaos
would not listen to this for pleasure
Marvellous
It is curious how it sounds to me like a mix of Greek, Japanese, Ancient and Modern Music at the same time. Very ritualistic, tribal.Like Noh Drama plus Greek Chorus.