AD' 80 - The Sound Of London Town

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Review by McLaina Oum

The Sound Of London Town by AD' 80: A Retro Gem That Still Kicks Alright, let’s talk about The Sound Of London Town, the scrappy-but-smart debut from AD’ 80. Released in 1980 on Duck Records (a label as quirky as its name), this UK-born album is a glorious mess of Mod swagger, Power Pop hooks, and Punk attitude. It’s not perfect—heck, it doesn’t even try to be—but that’s kind of what makes it stick. With Brian Rydell belting out vocals like he's got something to prove, Neal Butler laying down basslines smoother than a London cabbie’s patter, and Step Hoyland pounding the drums with all the subtlety of a brick through a window, this record feels alive, raw, and real. Now, onto the tracks. First up, we’ve got “Taxi Driver.” Man, this one grabs you by the collar and doesn’t let go. The opening riff hits like a double espresso on an empty stomach—sharp, jittery, and impossible to ignore. Rydell’s vocals here are equal parts sneer and charm, like he’s telling you a story over pints at some smoky pub. The lyrics? They’re pure working-class poetry, painting pictures of late-night rides and fleeting encounters. You can almost smell the petrol fumes and hear the hum of city life. This isn’t just a song; it’s a vibe, man. And yeah, maybe I’m romanticizing it a bit, but damn if it doesn’t feel like stepping into another world for three minutes. Then there’s the title track, “The Sound Of London Town.” If “Taxi Driver” is the heartbeat of the album, this one’s the soul. It’s bouncy, brash, and dripping with nostalgia for a London that probably never existed outside our imaginations. David Farrah’s rhythm guitar work is tight without being too polished, leaving just enough grit to keep things interesting. There’s a moment halfway through where the tempo shifts ever so slightly—it shouldn’t work, but it does, like finding a hidden alleyway you didn’t know was there. By the time the chorus kicks back in, you’re ready to grab your leather jacket and hit the streets, even if it’s just to walk around your own boring neighborhood. Here’s the thing about The Sound Of London Town: it’s not groundbreaking. It won’t change your life or redefine genres. But sometimes, music doesn’t need to do any of that. Sometimes, it just needs to remind you how good it feels to turn the volume up and lose yourself in a beat. AD’ 80 might not have been aiming for immortality, but they nailed authenticity—and honestly? That’s way cooler. So, next time you’re scrolling through Spotify looking for something new yet old-school, give this one a spin. Just don’t blame me if you find yourself humming “Taxi Driver” while stuck in traffic. Oh, and hey—if anyone knows what happened to these guys after ’80, hit me up. Bands like this deserve more than just a footnote in rock history.

Download AD' 80 - The Sound Of London Town
Artist: AD' 80
Album: The Sound Of London Town
Rating: 4.0

Table of Contents

Download

Filename: ad-80-the-sound-of-london-town.zip
  • MP3 size: 9.8 mb
  • FLAC size: 97.6 mb

Tracks

TrackDurationPreview
The Sound Of London Town
Taxi Driver

Video

AD 80-Sound Of London Town

Images

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Catalog Numbers

AD 001 (SJP 822)

Labels

Duck Records

Listen online

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Formats

  • Vinyl
  • 7"
  • EP
  • 45 RPM

Companies

RoleCompany
Recorded AtFair Deal Recording Studios

Credits

RoleCredit
Bass GuitarNeal Butler
DrumsStep Hoyland
Lead VocalsBrian Rydell
Rhythm GuitarDavid Farrah

Notes

Info about brief history AD' 80, the record and "The Pat Tibber Cancer Appeal" is written on the back sleeve.

Interesting fact about Album

Here’s a cool fact: The album *The Sound of London Town* by AD'80 captures the raw energy of the UK’s late '70s and early '80s music scene. It blends Mod, Power Pop, and Punk styles, reflecting the vibrant diversity of that era. What’s wild is how it channels the spirit of London through tracks like “Taxi Driver.” You can almost picture the city’s bustling streets while listening. Plus, with Neal Butler on bass and Brian Rydell’s lead vocals, it’s got this gritty yet melodic vibe that feels totally authentic. Released under Duck Records in 1980, it’s a snapshot of underground British rock at its finest.