Album Review: Salam Alecum Morisco Remixes by Andy Chango
Released in 2002 under the Spanish label DMM Music, Salam Alecum Morisco Remixes is a quirky yet captivating blend of pop and rock that feels like a hidden gem from an era where genre boundaries were just starting to blur. Andy Chango, with his unique flair, crafts an album that’s both nostalgic and refreshingly experimental—a testament to early 2000s creativity in Spain's music scene.
One track that sticks out is “Salam Alecum Morisco Remix.” It’s got this infectious energy, blending upbeat percussion with electronic twists that make it impossible not to nod along. The remix takes what was likely already a strong original and gives it new life—adding layers of synths and punchy beats that feel tailor-made for late-night drives or impromptu dance breaks. You can tell Andy Chango wasn’t afraid to experiment here; the mix has this raw edge, almost as if he threw caution to the wind and let the music speak for itself.
Another standout is “Soy Un Gnomo.” Now, how could you forget a song with a title like that? It’s playful, almost mischievous, with lyrics that seem to embrace absurdity without taking themselves too seriously. The melody bounces between whimsical guitar riffs and rhythmic basslines, creating something oddly endearing. There’s a charm in its simplicity—it doesn’t try too hard to impress but ends up being memorable anyway. If anything, it’s proof that sometimes less really is more.
The instrumental remix of “Salam Alecum Paz Y Amor” deserves a quick mention too. Stripping away vocals lets the production shine, offering listeners a chance to appreciate the intricate details tucked into the arrangement. It’s peaceful yet dynamic, perfect for moments when you need background music that won’t fade into oblivion.
What strikes me most about this album isn’t just its sound—it’s the vibe. Listening to Salam Alecum Morisco Remixes feels like stepping into Andy Chango’s world, one where rules are bent and fun takes center stage. Sure, some transitions feel a bit rough around the edges, and not every track hits the mark, but maybe that’s part of its charm.
In hindsight, this album reminds me of those random discoveries you stumble upon while digging through crates at a secondhand record store. It’s not perfect, but it’s got soul—and honestly, isn’t that what music should be about? Who would’ve thought a remix album from 2002 could still feel so alive today?
