Biermösl Blosn - Gott mit dir du Land der BayWa

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Review by Chris Molini

Alright, let’s dive into Gott mit dir du Land der BayWa by Biermösl Blosn. This 1980 German album is a wild ride through rock, folk, world, country, and pop vibes with a sprinkle of parody and Volksmusik charm. It’s like someone threw a bunch of genres in a blender and hit "puree." Released on the Intercord label, it’s got that quirky mix of traditional tunes and sharp-edged humor that makes you go, “Wait…is this serious or are they trolling me?” First up, the title track, Gott mit dir, du Land der BayWa. Man, this one sticks. The melody has that old-school Volksmusik vibe but with a twist—like your grandpa trying to jam at a punk show. You can tell Hans Well had fun with the lyrics because there’s this tongue-in-cheek energy that sneaks up on you. It’s not just some generic patriotic anthem; it feels more like an inside joke about Bavarian culture. I mean, come on, they’re singing about BayWa (a farming co-op), which isn’t exactly what you’d expect from a band name like Biermösl Blosn. But hey, maybe that’s why it works so well—it’s unapologetically weird. Then there’s Mackie Messa, which flips things around completely. This one leans hard into Kurt Weill’s moody musical genius and Bertolt Brecht’s razor-sharp wordsmithing. If you’ve ever heard anything from The Threepenny Opera, you’ll recognize the vibe immediately. It’s dark, brooding, and kinda theatrical—but done in Biermösl Blosn’s own quirky style. There’s something oddly satisfying about hearing these big dramatic themes mashed together with their rustic, almost slapdash approach. Like, yeah, we’re talking high art here, but also...farmers selling potatoes? Weird combo, right? Yet somehow, it clicks. What really stands out about this album is how it doesn’t take itself too seriously—even when dealing with heavy hitters like Brecht and Weill. It’s playful without being disrespectful, clever without being pretentious. And honestly, that balance is rare. Most bands either go full-on goofy or super intense, but Biermösl Blosn finds this sweet spot where both sides coexist. Looking back, this record feels like a time capsule of sorts—not just for Germany in the ‘80s, but for anyone who digs music that breaks the mold. Honestly, listening to it feels like wandering into a village festival where everyone’s slightly tipsy and having way too much fun. And honestly, who wouldn’t want to be part of that? Oh, random thought: I bet if you played this album during Oktoberfest, people would lose their minds. Prost to that!

Table of Contents

Download

Filename: biermsl-blosn-gott-mit-dir-du-land-der-baywa.zip
  • MP3 size: 8.6 mb
  • FLAC size: 99.4 mb

Tracks

TrackDurationPreview
Mackie Messa2:40
Gott mit dir, du Land der BayWa2:22

Images

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Catalog Numbers

INT 110.068

Labels

Intercord

Listen online

  • écouter en ligne
  • lytte på nettet
  • ouvir online
  • escuchar en línea
  • kuunnella verkossa
  • lyssna på nätet
  • ascolta in linea
  • online anhören
  • online luisteren

Formats

  • Vinyl
  • 7"
  • Single

Credits

RoleCredit
Arranged ByBiermösl Blosn (tracks: B1), Christoph Well (tracks: A1)
Composed ByTraditional (tracks: A1)
Music ByKurt Weill (tracks: B1)
Text ByBertolt Brecht (tracks: B1), Hans Well (tracks: A1)

Barcodes

  • Rights Society: GEMA
  • Label Code: LC 1109

About Biermösl Blosn

Bavarian (Germany) band, formed by brothers Hans, Christoph and Michael Well in 1976. Disbanded in 2012. Hans Well continued with the , Christoph (Stofferl) and Michael with the who also carry on the long-lasting collaboration with .

Name Vars

  • Biermoesl Blas'n
  • Biermösl Blas'n
  • Biermösl Blasn
  • Biermösl-Blasn
  • Biermösl-Blosn
  • Biermöslblosn
  • Die Biermösl - Blosn

Members

  • Christoph Well
  • Michael Well
  • Hans Well

Interesting fact about Album

Here’s a fun fact: The album *Gott mit dir du Land der BayWa* by Biermösl Blosn is a wild mix of genres and styles, blending folk rock, parody, and traditional Volksmusik. Released in 1980 in Germany, it even features music originally composed by Kurt Weill with lyrics by Bertolt Brecht. One of the tracks, *Mackie Messa*, gives a quirky twist to the classic *Mack the Knife*. It’s like a musical patchwork quilt—part serious, part playful, and totally unique.