Charley - Una Come Lei

haneulyura

Review by Tammi HG

Una Come Lei by Charley: A Retro Italian Gem That Still Glows Let’s get one thing straight—1988 was a wild year for music. Synths were king, pop had its shiny crown polished to perfection, and Italy? Well, Italy was quietly crafting some underrated bangers. Enter Una Come Lei, the solo debut album from Charley (yes, just Charley). This little slice of electronic-pop heaven might’ve flown under your radar, but trust me, it deserves a second glance—or listen. First off, the title track, “Una Come Lei,” hits you like that first sip of espresso in the morning: sharp, invigorating, and impossible to ignore. It’s got this hypnotic synth line that feels like cruising down a neon-lit Milan street at midnight. The vocals? Smooth as silk, dripping with emotion without being over-the-top dramatic. You can tell Charley wasn’t trying too hard here—he just got it. There’s something about how the melody builds up, layer by layer, until it wraps around you like an old leather jacket. Honestly, I couldn’t stop humming it for days after my first listen. And let’s be real, if a song sticks in your head THAT long, it’s doing something right. Then there’s another standout (which sadly I don’t have the full tracklist for, so use your imagination) where Charley leans into more experimental territory. Imagine soft pads of synth meeting punchy drum machines while his voice floats somewhere between longing and hope. It’s not perfect—there are moments where the production feels almost too raw—but maybe that’s what makes it special. It’s human, flawed, but still beautiful. Like a Polaroid photo that’s slightly faded but holds all the memories anyway. The whole vibe of Una Come Lei screams late-night radio play or the soundtrack to someone’s secret heartbreak story. Released on Not On Label, it carries this DIY charm that adds to its allure. Back then, labels weren’t everything, and artists like Charley proved you could make magic without major backing. Reflecting on this album now, decades later, it reminds me of how fleeting musical trends can be. In 1988, everyone wanted big hair and bigger drums, but Charley stayed true to his own vision. He didn’t chase fame; he created something authentic instead. Funny enough, listening to it today feels kinda futuristic, like hearing echoes of what modern indie-electronic acts strive for now. Maybe Charley knew something we didn’t. So yeah, go ahead and give Una Come Lei a spin. Who knows? You might find yourself falling for those vintage synths and heartfelt vocals, just like I did. Or maybe you’ll realize that sometimes, the best things come from places you least expect. Oh, and hey—if anyone knows where I can grab the rest of the tracks, hit me up. My Spotify queue needs more Charley vibes ASAP.

Download Charley - Una Come Lei
Artist: Charley
Album: Una Come Lei

Table of Contents

Download

Filename: charley-una-come-lei.zip
  • MP3 size: 4.7 mb
  • FLAC size: 37.5 mb

Tracks

TrackDurationPreview
Una Come Lei

Video

Charley Deanesi - Una Come Lei

Images

descargar álbum Charley - Una Come Lei

Labels

Not On Label

Listen online

  • lytte på nettet
  • ascolta in linea
  • online luisteren
  • kuunnella verkossa
  • ouvir online
  • lyssna på nätet
  • escuchar en línea
  • écouter en ligne
  • online anhören

Formats

  • Vinyl
  • 12"
  • 45 RPM
  • Maxi-Single
  • Promo
  • White Label

Notes

Anteprima

About Charley

Italian songwritter, singer and guitarist born in Trento. HE plays at guitar since the age of nine years. He has worked with most of the regional bands and later with internationally renowned musicians as Ginger Baker, Mike Ogletree (Simple Minds), Alberto Radius, Patrick Djivas (Area, PFM). As a songwriter he won the festival Castrocaro in 1986 and later participated in the Sanremo Festival, under contract with owned by . After the festival of San Remo he met the producer who proposed him a contract but he decided to keep the word given to Caterina Caselli. Unfortunately it was not a good choice, because soon he terminated the collaboration with . In 1978 he founded ''Big Fun'' band alongside Carlo Grasselli and Giulio Marino. Later joined Sergio Decarli (drums), Edo Bordignon (keyboards), replaced by Tony Virgillito and Renzo Vigagni. At the end of 1983, Charley Deanesi goes to solo career and ''Big Fun'' was disbanded. Since 2000 he teaches modern guitar at CDM (The Coalition for Disabled Musicians) in Rovereto.n

Real Name

    • Charley Deanesi

Name Vars

  • C. Deanesi
  • Charley

Interesting fact about Album

Here’s something cool: The album *Una Come Lei* by Charley is a hidden gem from 1988. It blends electronic and pop vibes with a strong vocal style. What makes it unique? It was released in Italy on an independent label, not tied to any big music company. The title track, *Una Come Lei*, stands out as its centerpiece. Albums like this remind us how indie artists can create magic outside the mainstream.

Comments

bbibis
bbibis
2025-03-16
La belleza della musica italiana. ♥️??♥️