New Type Drum Bass by DJ AKi: A Raw Dive into Breaks and DnB
Released in 2004 under Japan’s Womb Recordings, New Type Drum Bass by DJ AKi feels like a time capsule of early 2000s electronic music. It’s not perfect—sometimes it’s messy, sometimes it’s too raw—but that’s what makes it stick. The album blends Breaks and Drum n Bass with a distinctly Japanese edge, creating something both nostalgic and forward-thinking.
One track that stands out is “Vertigo.” It’s punchy, with a bassline that hits you right in the chest. The breaks are choppy but never feel forced, giving off this chaotic energy that somehow works. Listening to it feels like being on a rollercoaster—you’re not sure if you’re about to crash or soar, but you don’t care because it’s thrilling. There’s no overproduced polish here; just gritty, unfiltered vibes. This one stays with you because it doesn’t try too hard to impress—it just is.
Then there’s “China Blue,” which flips the script entirely. Where “Vertigo” is all adrenaline, “China Blue” leans into moodier territory. The synths drift lazily, almost dreamlike, while the percussion keeps things grounded. It’s hypnotic in a way that sneaks up on you, pulling you deeper without realizing it. Tracks like this remind you why Drum n Bass isn’t just about speed—it’s about layers, textures, and emotions.
The other tracks, like “4 Manchester” and “Choice,” round out the album nicely, though they don’t grab you as fiercely. They’re solid, but they don’t leave the same lasting impression as the two standouts.
Reflecting on New Type Drum Bass, it’s clear DJ AKi wasn’t trying to reinvent the wheel—he was just making music that felt honest. In an era where so much electronic music feels overly calculated, this album’s rough edges are its charm. And honestly? That’s rare. It’s like finding an old mixtape at a thrift store—imperfect, maybe forgotten, but full of character.
Final thought: If you’re looking for pristine sound design, this might not be your thing. But if you want something real—something that breathes and stumbles and fights back—give this one a spin. Oh, and don’t forget to crank the volume.
