Ezio Pinza In Opera, Broadway And Hollywood: A Timeless Crossover Gem
If you’re into music that feels like a warm hug from different worlds—opera, jazz, pop, and Broadway—then Ezio Pinza In Opera, Broadway And Hollywood is the album for you. Released under RCA Victor Red Seal and RCA Victor (props to them for keeping it classy), this record is like a musical buffet where every track has its own flavor. Ezio Pinza’s voice? Smooth as butter, rich as grandma’s lasagna, and just as comforting.
Let me break it down real quick. The genres here are all over the place in the best way possible: Stage & Screen, Pop, Classical, Jazz—you name it. Styles? Opera and vocal-heavy tunes dominate, but they never feel stuffy or pretentious. Instead, Pinza makes everything sound effortless, like he’s just chilling with you, singing his heart out. Oh, and shoutout to Mari Yanofsky for the liner notes—they add a nice little backstory to the whole thing.
Now, let’s talk tracks because there’s too much goodness to cover all at once. I gotta mention “Dancing In The Dark.” This one sticks with me not just because of the melody but because Pinza gives it this velvety spin that makes you wanna grab someone’s hand and twirl around your living room. It’s romantic without being cheesy, which is harder than it sounds. Then there’s “Le Veau D’or” from Faust. Whoa. If you’ve ever wondered what pure charisma sounds like, give this a listen. Pinza belts it out like he owns the stage, even though you’re probably hearing it through headphones while pretending to work.
What’s wild about this album is how it bridges gaps between styles that don’t usually hang out together. One moment you’re floating on dreamy opera vibes, and the next, you’re tapping your feet to something straight outta Hollywood. Tracks like “The Way You Look Tonight” and “All The Things You Are” show off his versatility so well—it’s almost unfair.
But here’s the kicker: listening to this album feels like stepping into a time machine. You can practically picture Pinza performing these songs live, maybe with an old-school mic and a spotlight following him across the stage. And yet, somehow, it still feels fresh today. Like, if someone played “So In Love” at a coffee shop now, no one would bat an eye—it’s timeless like that.
Honestly, my only complaint is that I wish I could’ve seen him perform live back in the day. Would’ve been worth every penny, I bet. But hey, having this album is the next best thing. So go ahead, hit play, and let Ezio Pinza remind you why some voices never fade—even when decades have passed.
Oh, and random thought: does anyone else think Pinza would’ve killed it on TikTok? Just imagine those dramatic pauses going viral…
