Ferenc Fricsay, Mussorgsky, Tchaikovsky, Borodin - Mussorgsky Eine Nacht Auf Dem Kalen Berge Tschaikowsky Ouvertüre 1812 Borodin Steppenskizze Polowetzer Tänze

rbassi

Review by Bassi Renata

Alright, let’s dive into this beast of an album. Mussorgsky Eine Nacht Auf Dem Kalen Berge Tschaikowsky Ouvertüre 1812 Borodin Steppenskizze Polowetzer Tänze—yeah, that’s a mouthful, but trust me, it hits hard. Released in 1977 by Deutsche Grammophon in Germany, this record is like a time machine to the Romantic era of classical music. Ferenc Fricsay at the helm? Say no more. The guy had a way with orchestras that just made everything sound alive. First off, let’s talk about “Eine Nacht Auf Dem Kahlen Berge” (or "A Night on the Bare Mountain" if you’re feeling less fancy). Mussorgsky’s piece here feels like walking through a fever dream. It starts eerie, almost like something's lurking in the shadows, and then BOOM—it explodes into chaos. The RIAS Symphonie-Orchester Berlin nails it; they don’t just play the notes—they breathe life into them. You can practically feel the cold wind whipping around as witches gather for their midnight shenanigans. Honestly, I remember this track because it’s one of those rare pieces where the music tells a story so vividly you forget you’re listening to instruments. Like, who needs words when you’ve got brass sections screaming at you? Then there’s Borodin’s “Polowetzer Tänze” from Prince Igor. Oh man, THIS. This track grabs you by the soul and doesn’t let go. If you’ve ever wondered what joy sounds like, this is your answer. The strings dance around like sparks flying off a fire, and the percussion hits with just enough oomph to make you wanna get up and move—even if dancing isn’t really your thing. And the chorus? The RIAS-Kammerchor adds this otherworldly vibe, like you’re standing in some ancient desert watching strangers celebrate under a starry sky. There’s something raw and primal about it, but also insanely beautiful. It sticks with you long after the last note fades. Now, full disclosure—I’m not usually someone who sits down and listens to full symphonic works anymore. Life’s too short, right? But this album? It makes me want to carve out time. Maybe it’s the energy Ferenc Fricsay brings to the table, or maybe it’s how each track feels like its own little universe. Whatever it is, it works. Here’s the kicker though: while listening to all these grand, sweeping melodies, I couldn’t help but think—what would happen if we played this stuff at parties today? Imagine dropping “Polowetzer Tänze” during peak hour at a club. People would lose their minds—or maybe just stand there confused. Either way, it’d be unforgettable. Anyway, yeah. This album’s a gem. Not perfect, but close enough to matter. Classical snobs will love it, sure, but even casual listeners might find themselves hooked if they give it half a chance.

Download Ferenc Fricsay, Mussorgsky, Tchaikovsky, Borodin - Mussorgsky Eine Nacht Auf Dem Kalen Berge Tschaikowsky Ouvertüre 1812 Borodin Steppenskizze Polowetzer Tänze
Artist: Ferenc Fricsay, Mussorgsky, Tchaikovsky, Borodin
Album: Mussorgsky Eine Nacht Auf Dem Kalen Berge Tschaikowsky Ouvertüre 1812 Borodin Steppenskizze Polowetzer Tänze
Rating: 4.0

Table of Contents

Download

Filename: ferenc-fricsay-mussorgsky-tchaikovsky-borodin-mussorgsky-eine.zip
  • MP3 size: 22.4 mb
  • FLAC size: 160.4 mb

Tracks

TrackDurationPreview
Ouvertüre Solennelle "1812", Op. 4914:35
Polowetzer Tänze (aus "Fürst Igor")14:09
Eine Steppenskizze Aus Mittelasien6:03
Eine Nacht Auf Dem Kahlen Berge, Op. Posth.10:03

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Catalog Numbers

2535 727

Labels

Deutsche Grammophon

Listen online

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Formats

  • Vinyl
  • LP
  • Album
  • Compilation
  • Remastered
  • Mono

Credits

RoleCredit
ChorusRIAS-Kammerchor
ConductorFerenc Fricsay
OrchestraRIAS Symphonie-Orchester Berlin

Notes

historical recordings 1950-1953

About Ferenc Fricsay, Mussorgsky, Tchaikovsky, Borodin

Hungarian conductor, born 9 August 1914, Budapest  died 20 February 1963, Basel (Switzerland). He made his first appearance as a conductor at age 15. He became musical director of the RIAS Symphony Orchestra in Germany in 1949, and of the in 1954. From 1956 to 1958 he was music director of the Bavarian State Opera (19561958). From the 1950s until his death, he recorded for the record label. Fricsay was known for his interpretations of the music of Mozart and Beethoven, as well as that of his teacher Béla Bartók. His 1958 recording of Beethoven's Symphony No. 9 is featured in the movie A Clockwork Orange.

Name Vars

  • Dirigent: Ferenc Fricsay
  • F. Fricsay
  • Ferenc Friscay
  • Ference Fricsay
  • Fricsay
  • Fricsay Ferenc
  • Friscay
  • Ф. Фричай
  • Ференц Фричай
  • Õ§ìóÄûÕêÃÁã¤

Interesting fact about Album

Here’s something cool: The album *Mussorgsky Eine Nacht Auf Dem Kalen Berge Tschaikowsky Ouvertüre 1812 Borodin Steppenskizze Polowetzer Tänze* is like a time machine. It brings together works by three Russian Romantic composers—Mussorgsky, Tchaikovsky, and Borodin—all conducted by the legendary Ferenc Fricsay. Released in 1977 in Germany under Deutsche Grammophon, it features the RIAS Symphonie-Orchester Berlin and the RIAS-Kammerchor. Fun fact: The track "Polowetzer Tänze" is from Borodin’s opera *Prince Igor*, which he never finished himself. Yet here it is, alive and powerful, thanks to this recording.