Album Review: Allt Det Ni Sa Som Vi Inte Gjorde by The Ground Pounders
If you’re into music that feels like a chaotic yet strangely satisfying mix of genres, Allt Det Ni Sa Som Vi Inte Gjorde by The Ground Pounders is worth your attention. Released in 2019 under the Swedish label Happiest Place (ironic name, right?), this album blends Pop and Rock with dashes of Noise, Industrial, and Indie Pop. It’s messy, raw, and unapologetically bold—an auditory middle finger to polished mainstream sounds.
The album kicks off with “Kommer Du Ens Ihåg,” a track that grabs you by the collar and doesn’t let go. Its punchy rhythm and distorted vocals feel like they’re screaming at you from another dimension. You can’t help but remember it because it’s got this relentless energy, like someone’s spilling their guts without caring what you think. And honestly? That’s kind of refreshing. Then there’s “Honeymoon,” which flips the vibe entirely. It’s dreamier, almost hypnotic, with these swirling synths and a melody that sticks to your brain like gum on a hot day. These two tracks alone showcase just how versatile—and unpredictable—this band can be.
Other standout moments include “Ledsen Hela Tiden,” where the melancholy lyrics hit hard, and “Nothing Different,” which balances grit and groove in a way that makes you wanna both mosh and cry. Tracks like “Inplastad” bring an industrial edge that feels experimental but never alienating, while “Du Vill Ha Kärlek” adds a bittersweet touch of indie charm.
What’s wild about Allt Det Ni Sa Som Vi Inte Gjorde is how it refuses to sit still. One minute you’re headbanging, the next you’re swaying awkwardly in your room, wondering if this is what therapy feels like. The Ground Pounders don’t just stick to one style—they throw everything at the wall to see what sticks. And somehow, most of it does.
But here’s the thing: this album isn’t for everyone. If you prefer your music neatly packaged and radio-friendly, you might find it overwhelming. But if you dig art that’s rough around the edges and full of personality, this record will resonate. It’s like overhearing a conversation in a language you don’t fully understand—it’s confusing, sure, but also kinda fascinating.
Final thought? Listening to this album feels like stepping into a time machine built by mad scientists who only listen to underground Swedish bands. It’s flawed, loud, and utterly unique. Also, I’m pretty sure my cat hated it, so take that as you will.
