Jeanne Lee David Eyges - Here And Now

jessibedore

Review by Jessica Bedore

Here And Now by Jeanne Lee & David Eyges: A Jazz Journey That Stays With You If you're into jazz but haven't stumbled across Here And Now yet, buckle up—this 1994 gem from Canada is like finding an old Polaroid in your attic that somehow feels more vivid than any Instagram filter. The album blends Contemporary Jazz with dashes of Free Jazz, thanks to the soulful vocals of Jeanne Lee and the raw, emotive cello work of David Eyges. Released under Word Of Mouth Records, this record doesn’t just sit politely in the background; it grabs your ears and whispers secrets about life, love, and everything messy in between. Let me zoom in on two tracks that stuck with me long after the needle lifted (yeah, I still use a turntable). First up: “Rain.” Man, oh man. This one sneaks up on you like… well, rain when you forget your umbrella. Jeanne’s voice floats through the melody as if she’s painting clouds right above your head. It’s not showy or overdone—it’s intimate, almost like she’s sitting next to you, telling her story without needing words. Then there’s David’s cello weaving around her voice like smoke curling out of a candle flame. You don’t just listen to “Rain,” you feel it. By the end, you might find yourself staring at the ceiling wondering why you suddenly care so much about weather forecasts. Then there’s “There Will Never Be Another You (Sonnet 18).” Whoa. Just whoa. If Shakespeare had been born centuries later and decided to drop verses over jazz instead of iambic pentameter, this would’ve been his anthem. The track starts with a haunting cello line that feels like walking into a dream where time slows down just for you. Jeanne takes the mic, and holy smokes, her delivery is pure poetry. She doesn’t sing the lyrics; she breathes them. Every pause, every note lands like a punch to the gut—but the good kind, like when someone tells you something true you didn’t know you needed to hear. By the time the last chord fades, you’re left thinking maybe Shakespeare was onto something after all. The rest of the album? Equally captivating. Tracks like “Maximum Capacity” bring energy that makes your toes tap even if you’re slouched on the couch pretending to be cool. Meanwhile, “Calm Wind” lives up to its name, offering moments of peace that feel rare these days. And can we talk about how perfectly weird “Subway Couple” is? It’s quirky enough to make you smile but deep enough to leave you pondering human connection while stuck in rush hour traffic. What strikes me most about Here And Now isn’t just the music itself—it’s the vibe. Listening feels like eavesdropping on a late-night conversation between two brilliant minds who trust each other completely. Jeanne and David don’t just play together; they exist in the same sonic universe, pushing boundaries without ever losing sight of what makes jazz magic: heart. So here’s my unexpected takeaway: this album reminds me of those random strangers you meet once and never see again, but whose words stick with you forever. Like that guy at the bus stop who told me fortune cookies are basically modern-day horoscopes—and now I can’t eat Chinese food without thinking about destiny. Here And Now does that too, except instead of cookie fortunes, it plants little seeds of thought in your brain that bloom every time you hit replay.

Table of Contents

Download

Filename: jeanne-lee-david-eyges-here-and-now.zip
  • MP3 size: 86.4 mb
  • FLAC size: 687.6 mb

Tracks

TrackDurationPreview
Why It Is2:19
Rain3:13
When Malindy Sings4:47
Bruckner Boulevard6:13
While You Think3:28
Sundance3:27
Pacific Blues3:22
Maximum Capacity5:29
Calm Wind2:22
There Will Never Be Another You (Sonnet # 18)2:51
Subway Couple5:00
Conspiracy4:43

Images

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Catalog Numbers

WOMCD-1007-2

Labels

Word Of Mouth

Listen online

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Formats

  • CD
  • Album

Credits

RoleCredit
CelloDavid Eyges
VocalsJeanne Lee

Notes

Recorded at Sky Studio, New City, N.Y., July 24/25, 1993.

About Jeanne Lee David Eyges

American vocalist, poet, composer, choreographer, and artist. Born: 29 January 1939 in New York City, New York, USA. Died: 25 October 2000 in Tijuana, Mexico (aged 61). Lee graduated from Bard College with a focus on child psychology, literature, and dance choreography. During the mid-1960s, she adopted Fluxus-influenced multidisciplinarity and composed music for California-based sound poets , , and . In the late 1960s, she returned to the east coast jazz scene and started performing and recording, distinguishing herself as one of the most independent and creative artists in the field. Lee had a major role in 's magnum opus, "Escalator Over The Hill" (1971), and recorded albums with eminent musicians including , , and . In 1967, while in Europe, Lee began a long association with vibraphonist and composer , whom she eventually married. Other artists Lee has collaborated over her long career include , , , et al. Lee was married to second husband Gunter Hampel, and they had two children; son (dancer), and daughter (vocalist). She was also a core member of Hampel's . Previously she was married to first husband Dr , and they shared a daughter Naima Hazelton.

Real Name

    • Jeanne Lee

Name Vars

  • Christine Jones
  • J. Lee
  • Jeanne Le
  • Lee

Aliases

  • Lee Smith

Interesting fact about Album

Did you know? The album *Here And Now* by Jeanne Lee and David Eyges is a hidden gem in the jazz world. Released in 1994 in Canada, it blends Contemporary Jazz and Free Jazz styles. What makes it special is how Jeanne Lee's vocals dance with David Eyges' cello. Tracks like "Pacific Blues" and "There Will Never Be Another You (Sonnet #18)" feel both raw and poetic. It’s not just music—it’s an experience.