Leftovers 2010 by Jeppe Barslund & HipHopAnmeldelser: A Raw Slice of Danish Hip-Hop
Alright, so let’s talk about Leftovers 2010. This album dropped in 2011 under the radar—literally, it ain’t even on a label. It’s got that gritty, underground hip-hop vibe straight outta Denmark. If you’re into raw beats and lyrics that feel like they’re being spit right at ya, this one might just stick with you.
The tracklist is packed with bangers, but I gotta shout out two joints that really hit home for me: “I Fcking Hate Rappers” and “Otherside (Ryan Lewis Remix).” Let’s break ‘em down real quick.
“I Fcking Hate Rappers” is exactly what it sounds like—a no-holds-barred rant about the state of rap music back then. But here’s the kicker: it’s not just hate for the sake of hating. Jeppe comes through with some sharp commentary on how commercialized everything had gotten. The beat? Super stripped-down, almost lo-fi, which makes his words hit harder. You can tell he’s frustrated, but there’s also this weird sense of humor running through it. Like, yeah, he hates rappers, but he kinda loves hating them too. It’s messy, honest, and totally unforgettable.
Then there’s “Otherside (Ryan Lewis Remix).” First off, Ryan Lewis? Yeah, THAT Ryan Lewis from Macklemore fame. He brings his signature touch to this remix, flipping the original into something dreamy yet hard-hitting. The production feels polished compared to the rest of the album, but it still keeps that DIY edge. What sticks with me most is how smooth Jeppe sounds over this beat—he’s reflecting on life, struggles, ambition, all that good stuff. It’s the kind of song you nod your head to while zoning out, thinking about your own “otherside.”
Now, don’t get me wrong—the whole album isn’t perfect. Some tracks blend together after a few listens, and a couple beats feel unfinished. But honestly? That’s part of its charm. Leftovers 2010 doesn’t try to be anything more than what it is—an unfiltered snapshot of where Jeppe was as an artist in 2010. And sometimes, that’s more than enough.
Here’s the wild thing though: listening to this album now feels kinda prophetic. Back then, nobody outside Denmark was paying attention, but looking back, it’s clear Jeppe was ahead of his time. In a world obsessed with flashy streams and viral hits, albums like this remind us why we fell in love with hip-hop in the first place.
Oh, and fun fact—if you ever find yourself drifting aimlessly, throw on “Driftin’.” Trust me, it’s oddly fitting.
