Live At L’Usine Zoo Genève by Naaxalit: A Wild Acid-Tinged Ride
Alright, let’s get into this. Live At L’Usine Zoo Genève is one of those albums that kinda sneaks up on you. Released back in 2013 by French producer Naaxalit under the label Farting Sheep Records (yes, seriously, that's the name), this thing hits hard where it counts—in the weird, gritty corners of your brain. It’s not trying to be all polished and shiny; instead, it leans into raw acid techno vibes with a dash of chaos. You can tell this was recorded live—it’s got that energy, like you’re right there in Geneva watching the whole thing unfold.
The genre here? Electronic. But don’t think chill beats or ambient soundscapes—this is straight-up Acid and Techno territory. Think squelchy basslines, relentless kicks, and enough hypnotic loops to make you lose track of time. If you’re into stuff that feels both mechanical and alive at the same time, this might just hit the spot.
Now, let me break down a couple tracks for ya:
First off, there’s the mysteriously named Untitled. Yeah, real creative title, I know—but honestly, who cares when the music slaps? This track starts off unassuming but quickly spirals into this wild ride of pulsating synths and distorted rhythms. What sticks out most is how unpredictable it feels. Just when you think you’ve got its vibe figured out, it flips the script. Like halfway through, this acid line comes in so sharp it practically punches you in the face. I remember listening to it late at night and thinking, “Okay, what even IS this?” And then immediately hitting replay because… well, it’s addictive as hell.
Another standout moment from the album—I won’t name names, but it’s toward the middle—is this absolute banger that builds tension like crazy. Imagine a slow-burning fire that eventually explodes into this euphoric mess of noise and rhythm. There’s no room for chill here; it just demands your attention. The way it layers sounds makes it feel almost three-dimensional, like you could step inside it if you tried hard enough. It’s messy, sure, but in the best possible way.
What really sticks with me about this album is how unapologetically itself it is. It’s not trying to win awards or please everyone—it’s just doing its own thing, loud and proud. That’s rare these days, especially in electronic music, where everything can start sounding the same after a while.
Oh, and random thought: If this album were an animal, it’d probably be some kind of mutant cyborg raccoon rummaging through a dumpster full of broken synthesizers. Weird image, yeah, but trust me—it fits.
So yeah, give Live At L’Usine Zoo Genève a spin if you’re looking for something that’ll shake up your playlist. Just don’t blame me if it ruins other music for you for a few days.
