Various - Texas Jazz Blue Rhythm Stomp

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Review by Brittani Dinsmore

Album Review: Texas Jazz Blue Rhythm Stomp by Various Artists The 1999 release Texas Jazz Blue Rhythm Stomp is a gem that captures the raw, unfiltered essence of jazz in its heyday. Compiled by Tony Russell and engineered to perfection by Ted Kendall, this album feels like flipping through an old photo album of Europe's jazz scene. It’s not just music—it’s history wrapped up in soundwaves. Labelled under Marshall Cavendish, this collection doesn’t try too hard to impress modern ears; instead, it speaks directly to those who love authenticity. With tracks dating back to the early days of jazz, you can almost smell the smoky clubs and feel the creaky wooden floors beneath your feet. For fans of classic jazz, this record isn’t just worth listening to—it’s essential. Let me tell ya about two standout tracks that stuck with me long after the needle lifted off the vinyl (or, y’know, playlist ended). First up, “Blue Rhythm Stomp.” This one hits hard right outta the gate. The horns burst into action like they’re late for something important, but somehow still manage to groove together perfectly. You don’t listen to this track—you experience it. Every note feels alive, like the musicians were channeling pure energy into their instruments. If there was ever a song designed to make you tap your toes uncontrollably, this would be it. Then there’s “Love Me Or Leave Me,” which swings so effortlessly it feels like floating on water. There’s a warmth to the vocals here—gritty yet smooth—that grabs hold of your soul and doesn’t let go. It’s got that timeless quality where even if you’ve never heard it before, it feels familiar, like meeting someone you swear you’ve met in another life. That balance between nostalgia and discovery? Pure magic. What makes this album special isn’t just the music itself—it’s how it reminds us what jazz really means. These songs weren’t made for algorithms or playlists; they were crafted for people looking to connect, laugh, cry, dance, and maybe even argue over whose solo was better at the end of the night. So yeah, while Texas Jazz Blue Rhythm Stomp might not have flashy production tricks or TikTok-ready beats, it’s real in a way most modern albums aren’t. And honestly? In a world full of noise, sometimes all we need is some good ol’ fashioned soul. Who knew a bunch of tunes from decades ago could still teach us that? Oh, and fun fact: I kept spelling "Siesta With Sony" wrong while writing this review. Guess my brain thought it was supposed to say "siesta with scotch." Now THAT'S a pairing I'd approve of!

Download Various - Texas Jazz Blue Rhythm Stomp
Artist: Various
Album: Texas Jazz Blue Rhythm Stomp
Rating: 5.0

Table of Contents

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Filename: various-texas-jazz-blue-rhythm-stomp.zip
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Tracks

TrackDurationPreview
The Sad3:10
No Trumps3:14
Dreamland Blues - Part 23:09
Dreamland Blues - Part 12:43
Siesta With Sony2:49
I Ain't Got Nobody3:11
Boots Stomp2:45
I've Found A New Baby2:48
Oil Man Blues2:46
Basin Street Blues3:11
Prohibition Blues3:19
Skull Duggery2:22
Symphony In Sid3:01
Going Away Blues3:22
Go, Red Go2:37
Blue And Sentimental3:02
Gee, It Must Be Love2:29
Blue Rhythm Stomp2:23
Milenberg Joys2:55
Love Me Or Leave Me2:43
Till Tom Special3:04
There'll Be Some Changes Made2:23

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Catalog Numbers

Jazz CD 073

Labels

Marshall Cavendish

Listen online

  • online luisteren
  • lyssna på nätet
  • ouvir online
  • escuchar en línea
  • online anhören
  • lytte på nettet
  • ascolta in linea
  • kuunnella verkossa
  • écouter en ligne

Formats

  • CD
  • Compilation

Credits

RoleCredit
Compiled ByTony Russell
EngineerTed Kendall

Interesting fact about Album

Here’s an interesting fact: The album *Texas Jazz Blue Rhythm Stomp* isn’t just a collection of songs—it’s like a time machine. Compiled by Tony Russell and engineered by Ted Kendall, it brings together tracks from the golden age of jazz. One standout tune, *"Blue Rhythm Stomp,"* captures the raw energy of early jazz, while *"Dreamland Blues"* takes you on a two-part emotional journey. Released in 1999 in Europe, this album reminds us how timeless jazz can be. It’s not just music; it’s history you can groove to.