Weber Mattila Araiza Wlaschiha Lind Moll Staatskapelle Dresden Sir Colin Davis - Der Freischütz

lillianvicky

Review by Lillian Sankikian

Der Freischütz by Weber: A Wild Ride Through Romantic Opera Alright, let’s dive into Der Freischütz (The Freeshooter), Carl Maria von Weber's masterpiece brought to life in this stellar 2008 recording. With Sir Colin Davis at the helm of the Staatskapelle Dresden and a knockout cast including Karita Mattila on soprano duties and Francisco Araiza as tenor, this album is like that one friend who always brings their A-game—reliable, classy, and full of energy. For those unfamiliar with the plot, it’s your classic mix of love, magic bullets, and spooky forests—a bit like if you mashed up Twilight with an old-school German ghost story. The whole thing screams “Romantic era” with its lush orchestration and dramatic flair. And honestly? It works. Track Highlights: Why They Stick Let me tell ya about two tracks that really stuck with me. First up, there’s the Wolf’s Glen scene. Now, I’m not gonna lie—this part gave me chills the first time I heard it. The way Weber builds tension through eerie strings and booming brass is just nuts. It feels like being dropped into some dark forest where every shadow has eyes. Ekkehard Wlaschiha’s bass vocals add this deep, ominous vibe that makes you wanna check under your bed afterward. If horror movies existed back then, this would’ve been the soundtrack. Then there’s "O, Diese Sonne", sung by Karita Mattila. Oh man, her voice soars here—it’s warm, bright, and totally uplifting. After all the doom-and-gloom stuff earlier, this track feels like stepping out into sunlight after a thunderstorm. You can hear how much emotion she pours into each note, making it impossible not to feel something. Whether you understand German or not, the joy in her delivery hits hard. Standout Performances & Production Vibes Sir Colin Davis deserves major props for keeping everything tight without losing the raw emotion. He knows when to let the orchestra breathe and when to push forward, creating these dynamic shifts that keep listeners hooked. The Rundfunkchor Leipzig choir also nails their parts, especially during big ensemble moments. Gert Frischmuth clearly had them well-drilled because they sound crisp and cohesive. And shoutout to Ton Friesen for the art direction too! The visuals match the music perfectly—dark, moody, but still elegant. Liner notes by Uwe Kraemer are worth a read if you’re into digging deeper into the backstory behind the opera. Final Thoughts: Unexpected Tidbit Here’s the thing—I didn’t expect to enjoy this album as much as I did. Don’t get me wrong; I appreciate classical music, but operas aren’t usually my go-to. However, Der Freischütz surprised me. Maybe it’s the balance between heart-pounding drama and sweet, tender moments. Or maybe it’s just the fact that Weber knew how to write melodies that stick in your head long after the music stops. Fun fact: Apparently, Weber was super into Freemasonry, and some say elements of it influenced his work. Makes sense given the mystical themes in Der Freischütz. Who knew? So yeah, whether you're a die-hard opera fan or just curious about dipping your toes into Romantic-era goodness, give this one a spin. Just don’t blame me if you start hearing phantom wolves outside your window afterward! Rating: 9/10 Boxed set worthy? Absolutely.

Table of Contents

Download

Filename: weber-mattila-araiza-wlaschiha-lind-moll-staatskapelle.zip
  • MP3 size: 210 mb
  • FLAC size: 1245 mb

Tracks

TrackDurationPreview
Wir Winder Dir Den Jungenfrernkranz5:04
Und Ob Die Wolke Sie Verhülle5:57
Nun Muss Ich Aber Den Kranz Holen0:18
So! Da Oben Mag Ich Den Herrn0:30
Ein Braver Mann0:22
Schelm, Halt Fest!4:49
Wolf's Glen scene16:26
Walzer1:13
Genug Der Freuden 1:29
O, Diese Sonne 6:58
Einst Träumte Meiner Sel'gen Base6:10
Wie? Was? Entsetzen!6:42
Ouvertüre9:44
Viktoria! Viktoria!4:52
Du Hast Dich Dazugehalten1:19
Schaut, O Schaut!9:22
Meine Agathe1:23
Entr'acte1:46
Was Gleicht Wohl Auf Erden2:29
Schweig, Schweig3:08
Und Der Bursch0:50
Wer Legt Auf Ihn So Strengen Bann?9:19
Kommt Ein Schlanker Busch3:45
Wie Nahte Mich8:20
Bruderherz2:07
Hier Im Ird'schen Jammertal2:00
Kamerad0:52
Herrliches Jagdwetter2:09
Nein, Länger Trag Ich6:38
Was Gibt's Hier?3:24

Images

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Catalog Numbers

478 0152

Labels

Decca

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Formats

  • 2 × CD
  • Album
  • Reissue
  • Remastered

Companies

RoleCompany
Phonographic Copyright (p)Universal International Music B.V.
Copyright (c)Decca Music Group Limited

Credits

RoleCredit
Art DirectionTon Friesen
Baritone VocalsSiegfried Lorenz
Bass VocalsEkkehard Wlaschiha
ChoirRundfunkchor Leipzig
Chorus MasterGert Frischmuth
Composed ByCarl Maria von Weber
ConductorSir Colin Davis
DesignHans Morren
Libretto ByJohann Friedrich Kind
Liner NotesUwe Kraemer
OrchestraStaatskapelle Dresden
Soprano VocalsKarita Mattila
Tenor VocalsFrancisco Araiza

Notes

  • ℗ 1991 Universal International Music B.V.
  • © 2008 Decca Music Group Limited
  • Made in the EU
  • CD1: 74:08 - CD2: 62:40
  • Recorded/Aufnahme/Enregistrement: January, 1990, Dresden

Barcodes

  • Barcode: 028947801528
  • Label Code: LC 00171
  • SPARS Code: DDD

About Weber Mattila Araiza Wlaschiha Lind Moll Staatskapelle Dresden Sir Colin Davis

Born: 1786-11-18 or 19 (Eutin, Bishopric of Lübeck) , at present Eutin, Germany. Died: 1826-06-05 (London, United Kingdom). Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.

Real Name

    • Carl Maria Friedrich Ernst von Weber

Name Vars

  • (von) Weber, Carl Maria
  • C. M v. Weber
  • C. M. V. Weber
  • C. M. Veber
  • C. M. Von Weber
  • C. M. Weber
  • C. M. v. Weber
  • C. M. von Weber
  • C. Maria von Weber
  • C. N. v. Weber
  • C. Von Weber
  • C. W. Weber
  • C. Weber
  • C. von Weber
  • C.- M. Von Weber
  • C.M von Weber
  • C.M. V. Weber
  • C.M. Von Weber
  • C.M. Weber
  • C.M. v. Webber
  • C.M. v. Weber
  • C.M. von Waeber
  • C.M. von Weber
  • C.M.F.E. von Weber
  • C.M.V. Weber
  • C.M.Von Weber
  • C.M.Weber
  • C.M.v. Weber
  • C.M.v.Weber
  • C.M.von Weber
  • C.Maria v.Weber
  • Car Maria von Weber
  • Carl M. Von Weber
  • Carl M. Weber
  • Carl M. v. Weber
  • Carl M. von Weber
  • Carl Maria Friedrich Ernst von Weber
  • Carl Maria Friedrich von Weber
  • Carl Maria V. Weber
  • Carl Maria Von Weber
  • Carl Maria Weber
  • Carl Maria v. Weber
  • Carl Maria von Neser
  • Carl MariaV. Weber
  • Carl Mª Weber
  • Carl Mª von Weber
  • Carl Weber
  • Carl von Weber
  • Carl-Maria Von Weber
  • Carl-Maria von Weber
  • Carlo Maria Weber
  • Carlo Maria von Weber
  • G. Chalmel
  • K. M. Veber
  • K. M. Veberis
  • K. M. Von Weber
  • K. M. Vēbers
  • K. M. Weber
  • K. M. v. Weber
  • K. M. von Weber
  • K. Veberis
  • K. Weber
  • K. Вебер
  • K.M. V. Weber
  • K.M. Von Weber
  • K.M. Vēbers
  • K.M. Weber
  • K.M.Von Weber
  • Karl Maria Von Weber
  • Karl Maria Weber
  • Karl Maria von Weber
  • Karl Marija Veber
  • Karl Weber
  • Karl-Maria von Weber
  • Kārlis Marija Vēbers
  • M. Weber
  • M. von Weber
  • Maria von Weber C.
  • V. Weber
  • Von Webber
  • Von Weber
  • VonWeber
  • Webber
  • Weber
  • Weber C. M. v.
  • Weber C.M.
  • Weber C.M. Von
  • Weber, C. M.
  • Weber, Carl Maria
  • Webert
  • Webwe
  • c.m. von weber
  • v. Weber
  • von Weber
  • Βέμπερ
  • В. М. Вебер
  • Вебер
  • К. Вебер
  • К. М. Вебер
  • К. М. фон Вебер
  • Карл Мария Фон Вебер
  • Карл Мария фон Вебер
  • Карл Марија Вебер
  • Карл-Мария Фон Вебер
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Interesting fact about Album

Did you know that *Der Freischütz*, composed by Carl Maria von Weber, is often considered one of the first true German Romantic operas? It premiered in 1821 and helped shape the future of opera by blending supernatural elements with everyday human drama. The 2008 Decca recording, conducted by Sir Colin Davis, brought this masterpiece back to life with a stellar cast, including Karita Mattila and Francisco Araiza. What makes it even cooler? The chilling "Wolf's Glen Scene" was revolutionary at the time for its eerie orchestration, setting the stage for darker, moodier operas to come.