Albert Lortzing - Der Waffenschmied Opernquerschnitt

georgi58

Review by Georgi Stanev

Album Review: Der Waffenschmied Opernquerschnitt by Albert Lortzing (1974) Albert Lortzing’s Der Waffenschmied Opernquerschnitt is a gem from the German Democratic Republic, released under the labels phonoclub and ETERNA in 1974. This opera, composed and written by Lortzing himself, delivers a mix of humor, drama, and heartfelt emotion that feels timeless. It doesn’t just sit there like some dusty museum piece—it grabs you with its wit and charm. The Staatskapelle Berlin, conducted by Heinz Fricke, brings out every nuance of this score, while the stellar cast adds layers of personality to their roles. Let’s zoom in on two standout tracks: "Du Bist Ein Arbeitsamer Mensch" and "Er Ist So Gut." In "Du Bist Ein Arbeitsamer Mensch," bass Hans Krämer shines as Hans Stadinger, the titular weaponsmith. His voice has a warmth that makes the character feel real—you can almost picture him tinkering away at his forge. The melody bounces along playfully, but there’s a depth to it too, like Lortzing wants us to see past the jokes and into the soul of this hardworking guy. By the time the chorus joins in, you’re hooked, tapping your foot without even realizing it. Then there’s "Er Ist So Gut," where Elisabeth Ebert’s soprano vocals steal the show. As Marie, she pours her heart into this tender moment. There’s something raw about her delivery—it’s not perfect in a robotic way; instead, it feels human, vulnerable. You get the sense she’s singing directly to you, sharing a secret only you understand. When the orchestra swells behind her, it’s goosebump territory. These are the kinds of moments that remind you why opera still matters. The production quality might not rival today’s high-tech recordings, but honestly? That’s part of its charm. Recorded in the GDR, the sound carries a certain grittiness that matches the story’s earthy themes. Gertraud Prenzlow, Harald Neukirch, and Günther Leib round out the vocal lineup with performances that bring the quirky characters to life. And let’s not forget Siegfried Völkel’s work as chorus master—the Chor der Deutschen Staatsoper Berlin sounds tight and full of energy. One quirky detail worth mentioning: Ernst’s artwork for the album cover looks like it was doodled during a coffee break, but somehow it fits. It’s simple yet striking, much like the music inside. Reflecting on Der Waffenschmied, I’m struck by how fresh it feels despite being nearly 50 years old. Maybe it’s because Lortzing knew how to balance silliness with sincerity—or maybe it’s just that good music never really ages. Either way, listening to this album feels like stumbling across an old photograph: slightly faded, maybe a little rough around the edges, but bursting with stories waiting to be told. Oh, and here’s a random thought—imagine if someone turned this opera into a Netflix series. Think medieval costumes, dramatic plot twists, and plenty of banter. Yeah, they’d probably ruin it, but wouldn’t it be fun to try?

Download Albert Lortzing - Der Waffenschmied Opernquerschnitt
Artist: Albert Lortzing
Album: Der Waffenschmied Opernquerschnitt
Rating: 4.0

Table of Contents

Download

Filename: albert-lortzing-der-waffenschmied-opernquerschnitt.zip
  • MP3 size: 57 mb
  • FLAC size: 550 mb

Tracks

TrackDurationPreview
Ihr Wißt, Daß Er Euch Liebt? / Wo Der Liebe Flammen Brennen
Bei Nächt'gem Dunkel Schleich Ich Herein
Gern Gäb Ich Glanz Und Reichtum Hin
Wir Armen, Armen Mädchen
Bringt Eilig Hut Und Mantel Mir
Auch Ich War Ein Jüngling Mit Lockigem Haar
Man Wird Ja Nur Einmal Geboren
Du Bist Ein Arbeitsamer Mensch
Welt, Du Kannst Mir Nicht Gefallen
Er Schläft! Wir Alle Sind In Angst Und Not! / Er Ist So Gut

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Catalog Numbers

  • 8 20 370
  • 8 25 370

Labels

  • phonoclub
  • ETERNA

Listen online

  • online anhören
  • lyssna på nätet
  • escuchar en línea
  • kuunnella verkossa
  • ouvir online
  • écouter en ligne
  • lytte på nettet
  • ascolta in linea
  • online luisteren

Formats

  • Vinyl
  • LP
  • Mono
  • Reissue

Companies

RoleCompany
Record CompanyVEB Deutsche Schallplatten Berlin

Credits

RoleCredit
Alto Vocals [IrmentrautGertraud Prenzlow (tracks: A3, A4)
Mariens Erzieherin]Gertraud Prenzlow (tracks: A3, A4)
Artwork ByErnst
Baritone VocalsGünther Leib (tracks: A4, B1, B5)
Bass Vocals [Hans StadingerHans Krämer (tracks: A1, B2, B4)
Berühmter Waffenschmied Und Tierarzt]Hans Krämer (tracks: A1, B2, B4)
ChorusChor Der Deutschen Staatsoper Berlin (tracks: A1, A5)
Chorus MasterSiegfried Völkel
Composed ByAlbert Lortzing
ConductorHeinz Fricke
Libretto ByAlbert Lortzing
Liner NotesErnst Krause
OrchestraStaatskapelle Berlin
Soprano Vocals [MarieElisabeth Ebert (tracks: A4, A5, B1, B3)
Stadingers Tochter]Elisabeth Ebert (tracks: A4, A5, B1, B3)
Tenor Vocals [GeorgHarald Neukirch (tracks: A1, A2, B2)
Stadingers Knappe]Harald Neukirch (tracks: A1, A2, B2)
PhotographyWallmüller

Notes

  • Special Issue "Phonoclub Leipzig"
  • VEB Gotha Druck
  • Verpackung nach TGL 10609

Barcodes

  • Matrix / Runout (Runout Side A): C4W-S 820370A 02031115
  • Matrix / Runout (Runout Side B): D4W-S 820370B 02031116
  • Matrix / Runout (matrix on label, side A): 0 203 1115
  • Matrix / Runout (matrix on label, side B): 0 203 1116
  • Other (print code): Ag 732/01/64
  • Matrix / Runout (Runout Side A): A76 W NT 8 25 370 - 1D
  • Matrix / Runout (Runout Side B): A79 W NT 8 25 370 - 2H
  • Other (print code): Ag 511/01/74

About Albert Lortzing

German composer, actor, singer, librettist and conductor, born 23 October 1801 in Berlin, Germany and died 21 January 1851 in Berlin, Germany.

Real Name

    • Gustav Albert Lortzing

Name Vars

  • A. Lorcing
  • A. Lortzing
  • Alb. Lortzing
  • Albert Lorzing
  • Alberts
  • G. A Lortzing
  • G. A. Lortzing
  • G.A. Lortzing
  • Gustav A. Lortzing
  • Gustav Albert Lortzing
  • Lortcing
  • Lortzig
  • Lortzing
  • Lorzing
  • Lotzing
  • Lörzing
  • Лортцинг
  • Лорцинг

Interesting fact about Album

Did you know? The 1974 opera album *Der Waffenschmied Opernquerschnitt* by Albert Lortzing, released in the German Democratic Republic, features a unique mix of talent. The Staatskapelle Berlin and Chor der Deutschen Staatsoper Berlin bring the music to life under conductor Heinz Fricke. Fun detail: Hans Krämer, who sings bass vocals, plays a dual role as both a famous gunsmith and a veterinarian! It’s like getting two characters for the price of one. This album is a true gem from the GDR’s classical scene.