Album Review: Second Cello Concerto / Five Ritual Dances by André Jolivet (1972)
Alright, let’s dive into this gem of a classical album, Second Cello Concerto / Five Ritual Dances. Released in 1972 under the Musical Heritage Society label, it’s got all the hallmarks of a forgotten treasure. The big names here are André Jolivet, who composed and conducted, and Mstislav Rostropovich on cello—yep, the Rostropovich, whose playing feels like a force of nature. Backing them up is the Orchestre National De L'ORTF, adding that lush, rich texture only a full orchestra can bring. Oh, and shoutout to Bernard Gavoty for the liner notes—they’re not groundbreaking but give you just enough context without bogging things down.
Now, let’s talk tracks. This album includes six pieces, but I’ll focus on two that really stuck with me: “Danse Funeraire” and “Second Cello Concerto.”
“Danse Funeraire,” or Funeral Dance, hits hard right outta the gate. It’s haunting, almost primal, with these deep, brooding strings that feel like they’re pulling you into another world. Rostropovich’s cello work here is insane—he doesn’t just play; he makes the instrument sing, cry, and even rage. There’s this one moment where the music swells, and you can practically feel the weight of loss pressing down on you. But weirdly, it’s not depressing—it’s cathartic, like listening to someone pour their soul out. You don’t forget something like that easily.
Then there’s the titular “Second Cello Concerto.” Man, this one’s got personality. It starts off bold and brassy, almost like it’s daring you to keep up. Jolivet clearly had some wild ideas when he wrote this because it doesn’t follow any cookie-cutter concerto formula. Instead, it’s unpredictable, shifting moods and tempos in ways that keep you hooked. Rostropovich absolutely owns this piece, showing off his technical chops while still keeping everything emotional and raw. By the end, you’re left buzzing, wondering what just happened.
What makes this album special isn’t just the music—it’s how alive it feels. Every note seems intentional, every phrase bursting with energy. And yeah, sure, it’s from 1972, so the recording quality might not blow your socks off compared to today’s standards. But honestly? That just adds to its charm. It’s like hearing a snapshot of a different time, one where musicians poured their hearts into every performance.
As I wrapped up my listen, I couldn’t help but think about how albums like this don’t get made anymore—or at least, they don’t get promoted the same way. We live in an age of playlists and singles, where few people sit down to experience an entire album front to back. But Second Cello Concerto / Five Ritual Dances demands your attention. It’s not background music; it’s a journey.
Oh, and here’s the unexpected part: after listening to this, I kinda want to learn more about ancient rituals. Like, could you imagine dancing to “Danse Du Heros” around a fire? Wild. Anyway, if you’re into classical music or just looking for something that’ll make you feel something, give this one a spin. Trust me, it’s worth it.
