Samson François, Chopin - Nocturnes Préludes

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Review by Valent Pelangi

Nocturnes Préludes by Samson François & Chopin: A Romantic Rollercoaster You Didn’t Know You Needed If you’re into classical music, or even if you’re just dipping your toes into the genre because someone told you it’s “good for focus,” Nocturnes Préludes is an album that’ll stick to your brain like gum on a summer sidewalk. Released in 2012 under labels like EMI Classics and Erato, this record brings together Frédéric Chopin’s timeless compositions with Samson François’ hands-on-the-keys wizardry. Spoiler alert: it’s not just another piano album—it feels more like eavesdropping on a private conversation between genius minds from two centuries ago. Let’s get real here. This isn’t one of those albums where every track blends together into some vague impression of “classical chill vibes.” Nope. What makes Nocturnes Préludes stand out are moments so vivid they feel almost intrusive—as if Chopin himself leaned over François’ shoulder whispering, “Play it like this, dammit!” Two tracks especially jumped out at me during my listens (yes, plural—I couldn’t stop). First up, N° 7 En La Majeur hits different. It starts off all sweet and innocent, like a lazy Sunday morning when nothing’s going wrong… yet. Then BAM! Around the halfway point, things take a turn—you can practically hear François thinking, “Oh no, we’re doing emotionally devastating now.” The melody twists and turns like a vine choking a tree, but instead of being sad about it, you kinda want to applaud. By the end, I was left staring blankly at my wall, wondering why I suddenly cared so much about something as simple as notes played on a piano. And then there’s Op. 48 N° 2, which sounds like what would happen if raindrops had feelings—and trust me, these ones do. It’s slow, deliberate, and dripping with melancholy. But weirdly enough, it doesn’t bum you out. Instead, it feels cathartic, like crying after holding everything in for way too long. François nails the pacing here; he lets each note breathe before moving on, giving you time to sit with your own thoughts. Honestly, listening to this felt like therapy without having to pay $150 per session. What really ties the whole thing together is how polished but still human it feels. Credit goes to Paul Vavasseur and Walter Ruhlmann for engineering magic behind the scenes, plus Eric McLeod keeping things tight as producer. And let’s not forget Josée Malamoud’s design concept—because who doesn’t love artwork that matches the vibe? Now here’s the kicker: despite its European roots (France, to be exact), this album doesn’t scream “pretentious art piece only snobs will understand.” It’s accessible, emotional, and raw in ways that make you forget you’re technically listening to centuries-old sheet music. Like, imagine Chopin walking into a modern coffee shop and vibing with the playlist—they’d probably fist-bump over how well his stuff holds up today. So yeah, Nocturnes Préludes isn’t perfect—it’s better than that. It’s messy, beautiful, and unapologetically alive. And honestly? If Chopin were alive today, I bet he’d trade his quill pen for Spotify royalties faster than you could say “streaming rights.”

Download Samson François, Chopin - Nocturnes Préludes
Artist: Samson François, Chopin
Album: Nocturnes Préludes
Rating: 5.0

Table of Contents

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Filename: samson-franois-chopin-nocturnes-prludes.zip
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Tracks

TrackDurationPreview
N° 18 En Fa Mineur0:54
N° 10 En Ut Dièse Mineur0:31
N° 19 En Mi Bémol Majeur1:15
N° 20 En Ut Mineur1:18
N° 5 En Ré Majeur0:37
N° 11 En Sol Mineur, Op. 37 N° 14:54
N° 7 En La Majeur0:40
24 Préludes Op. 2835:00
N° 10 En La Bémol Majeur, Op. 32 N° 24:52
N° 8 En Ré Bémol Majeur, Op. 27 N° 25:30
N° 19 En Mi Mineur, Op. 72 N° 13:12
N° 18 En Mi Majeur, Op. 62 N° 25:15
Nocturnes 1 - 1363:25
N° 6 En Si Mineur1:53
Nocturnes 14 - 1928:50
N° 2 En La Mineur1:58
N° 17 En Si Majeur, Op. 62 N° 15:44
N° 15 En Fa Mineur, Op. 55 N° 14:20
N° 11 En Si Majeur0:45
N° 3 En Sol Majeur0:50
N° 13 En Ut Mineur, Op. 48 N° 16:30
N° 4 En Fa Majeur, Op. 15 N° 13:45
N° 7 En Ut Dièse Mineur, Op. 27 N° 14:52
N° 2 En Mi Bémol Majeur, Op. 9 N° 24:11
N° 14 En Fa Dièse Mineur, Op. 48 N° 26:13
N° 4 En Mi Mineur1:40
N° 16 En Mi Bémol Majeur, Op. 55 N° 23:54
N° 1 En Ut Majeur0:36
N° 15 En Ré Bémol Majeur4:31
N° 22 En Sol Mineur 0:48
24 Préludes, Op. 28
N° 1 En Si Bémol Mineur, Op. 9 N° 15:10
N° 14 En Mi Bémol Mineur0:26
N° 8 En Fa Dièse Mineur2:07
N° 9 En Mi Majeur1:18
N° 6 En Sol Mineur, Op. 15 N° 34:01
N° 13 En Fa Dièse Majeur2:28
N° 17 En La Bémol Majeur2:59
N° 12 En Sol Dièse Mineur1:26
N° 23 En Fa Majeur0:49
N° 9 En Si Majeur, Op. 32 N° 13:57
N° 24 En Ré Mineur2:29
N° 16 En Si Bémol Mineur1:02
N° 12 En Sol Majeur, Op. 37 N° 25:15
N° 21 En Si Bémol Majeur1:40
N° 3 En Si Majeur, Op. 9 N° 36:14
Nocturnes 1-19
N° 5 En Fa Dièse Mineur, Op. 15 N° 23:28

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Catalog Numbers

  • 7243 5 68151 2 4
  • 50999 6 78730 2 9
  • 7243 5 68151 2 4, CSZ 5 68151 2

Labels

  • EMI Classics
  • Erato
  • EMI Classics, EMI France

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Formats

  • 2 × CD
  • Compilation
  • Reissue
  • Remastered
  • Stereo

Companies

RoleCompany
Phonographic Copyright (p)EMI France
Recorded AtSalle Wagram, Paris
Licensed FromEMI France
Copyright (c)EMI France
Remastered AtEMI France
Manufactured BySonopress

Credits

RoleCredit
Composed ByFrédéric Chopin
Liner NotesPhilippe Mougeot
PianoSamson François
ProducerEric MacLeod (tracks: 1-1 to 2-6), René Challan (tracks: 2-7 to 2-30)
Recorded ByPaul Vavasseur (tracks: 1-1 to 2-6), Walter Ruhlmann (tracks: 2-7 to 2-30)
Design ConceptJosée Malamoud
EngineerPaul Vavasseur, Walter Ruhlmann (tracks: 2-7

Notes

  • Nocturnes: recorded in Paris, Salle Wagram 17-20. May & 8, 18. June 1966 ℗ 1966
  • Préludes: recorded in Paris, Salle Wagram 3-11. February & 4, 12. May 1959 ℗ 1963
  • Remastered & Compilation ℗ & © 1987 EMI France.
  • Standard 2 CD jewel case including an 8-page booklet with texts in French and English.
  • Made and printed in Holland.
  • Recorded: Paris, Salle Wagram, V & VI, 1966 (Nocturnes); II & V. 1959 (Préludes)
  • 1-1 - 2-6: recorded Paris, Salle Wagram 17-20. May & 8, 18. June 1966 (p) 1966
  • 2-7 - 2-30: recorded Paris, Salle Wagram 3-11. February & 4, 12. May 1959 (p) 1963
  • Remastered & Compilation (p) & © 1987 EMI France.
  • 8-page booklet with texts in French and English.
  • Made and Printed in Germany

Barcodes

  • Barcode (scanned): 0724356815124
  • Barcode (text): 7 24356 81512 4
  • Label Code: LC 6646
  • Matrix / Runout (CD 1): 568152 2 @ 1 1-1-3-NL
  • Matrix / Runout (CD 2): 568153 2 @ 1 1-1-2-NL
  • Mould SID Code (CD 1): ifpi 1546
  • Mould SID Code (CD 2): ifpi 1522
  • Distribution Code (France): PM 518
  • Distribution Code (UK): CZS
  • Distribution Code (USA): CDZB 68151
  • SPARS Code: ADD
  • Barcode: 7 24356 81512 4
  • Matrix / Runout (CD 1): C-0202 / 7691592 A
  • Matrix / Runout (CD 2): C-0203 / 7691602 F
  • Mould SID Code: IFPI 0722
  • SPARS Code: AAD
  • Price Code (F): PM 518

About Samson François, Chopin

French pianist (18 May 1924 - 22 October 1970).

Name Vars

  • François
  • S. François
  • Samson Francois
  • Samson-François
  • µó½óûÕéó½ï

Interesting fact about Album

Here’s a cool fact: The album *Nocturnes Préludes* by Samson François brings together two giants of classical music—Frédéric Chopin and François himself. While Chopin composed the timeless nocturnes and preludes, François, a legendary French pianist, gave them life with his unique touch. What’s fascinating is that this recording was released in 2012, decades after François passed away in 1970. It’s like hearing a piece of history come alive through his masterful playing. Plus, the album showcases Chopin’s genius across two iconic forms: the dreamy nocturnes and the intricate preludes. A true meeting of minds across time!