Album Review: Song Lebanese by Hanybooz
Alright, let’s dive into Song Lebanese, the latest drop from Hanybooz under his own label. Spoiler alert: it’s not perfect, but dang if it ain’t got some charm. And hey, isn’t that what music’s all about? Let’s break it down—quick and dirty style.
First up, track one (or was it two? Who cares!) called “Beirut Bounce.” This tune slaps harder than your grandma’s tabbouleh recipe. It’s got this funky beat that sneaks up on you like a stray cat in an alley—unexpected but kinda lovable. The melody loops around your brain like a lost thought, refusing to leave. You’ll catch yourself humming it while stuck in traffic or pretending to listen during Zoom meetings. I mean, who doesn’t need a little chaotic energy to spice up their day?
Then there’s “Cedars After Midnight,” which is basically the emo cousin of the album. It starts slow, with these moody guitar riffs that feel like staring at the stars while questioning all your life choices. But just when you think it’s gonna get too deep, BAM—a surprise key change hits you like a rogue wave at the beach. Suddenly, you’re vibing again, wondering how something so weird can work so well. Props to Hanybooz for pulling off that trick without sounding like he tried too hard.
Now, don’t get me wrong—this album ain’t flawless. Some tracks drag more than my Monday morning coffee run. And yeah, the production could use a bit of polish, like those old brass trays they sell in souks. But honestly? That rough-around-the-edges vibe gives Song Lebanese its personality. It’s like hanging out with a friend who tells bad jokes but somehow always makes you laugh anyway.
Final thoughts? Listening to this album feels like taking a road trip through Lebanon itself—chaotic, beautiful, full of surprises, and occasionally confusing as heck. If nothing else, it proves one thing: even in imperfection, art finds a way to stick with you. Oh, and also? Cedars are badass trees. Go figure.
Rating: 7/10 – because sometimes messy is memorable.
