Album Review: Where I Belong by Manovski x Jay Pryor
Alright, let’s talk about Where I Belong. This 2020 release from European duo Manovski and Jay Pryor is a solid entry in the electronic genre, with dance-pop and house vibes that’ll get your feet moving. Released under Insanity Records, it’s got all the bells and whistles you’d expect—tight production, catchy hooks, and Amber Van Day’s vocals tying it all together.
The title track, “Where I Belong,” hits hard right out of the gate. It’s got this pulsing beat that just feels like sunshine on a summer day, y’know? The synths are smooth but not overdone, and Amber’s voice floats perfectly over the mix. There’s something about the lyrics that sticks—simple, relatable, no frills. Like, yeah, we’ve all been there, trying to figure out where we fit in life. But instead of being cheesy or cliche, they pull it off. Jay Pryor and Manovski clearly know how to layer sounds without drowning the emotion.
Another standout for me was—well, honestly, the whole album flows so well it’s kinda hard to pick. But if I had to choose, the drum programming on “Where I Belong” deserves a shoutout. Manovski really flexes his skills here; the rhythm feels alive, like it’s breathing with you. And when the drop hits? Pure energy. You can tell these guys were meticulous in the studio because every detail pops. James Hurr’s mixing and Cassian Irvine’s mastering polish everything up, but they don’t strip away the rawness.
What’s wild is how collaborative this project feels. Everyone involved—from Sam Gray co-writing the lyrics to Jay Pryor handling keys and synths—brings something unique. It’s not just one person’s vision; it’s a team effort that somehow still sounds cohesive.
Here’s the thing though—this album sneaks up on you. At first listen, it might seem like another upbeat electronic record, but after a few spins, you start noticing little moments. A subtle vocal inflection here, an unexpected synth flourish there. It’s those small touches that make Where I Belong memorable.
And hey, random thought: isn’t it kinda funny how music can feel so personal even though it’s made by people you’ve never met? Like, whoever said “electronic music lacks soul” clearly hasn’t heard this album. Anyway, go check it out—you won’t regret it.
