Una Triko Trako: A Genre-Bending Trip You Didn’t Know You Needed
When you first hear about Una Triko Trako by Triko Trako, you might think, "Okay, cool name, but what’s the deal?" Released in 2011 out of Germany on Not On Label, this album is like that weird cousin at a family reunion who shows up wearing neon socks and starts breakdancing. It’s quirky, unexpected, and kinda unforgettable. With genres spanning Electronic, Folk, World, and Country—and styles dipping into House, Euro House, and Eurodance—it’s not your typical playlist filler. But hey, maybe that’s exactly why it works.
The masterminds behind this musical experiment are Jalal Hachim (composing and lyrics) and Maksim Diagilew (composing). Together, they’ve cooked up something that feels both nostalgic and refreshingly new. The record includes remixes like the Khetama & Cutmaster Jay Rmx, the Macarena Rmx, and a Radio Version. Let me tell ya, two tracks stuck with me for totally different reasons.
First off, “Una Triko Trako (Khetama & Cutmaster Jay Rmx)” hits hard. Like, really hard. Imagine being at some underground club where everyone suddenly starts moving in sync—it’s hypnotic, almost tribal. This remix has these pulsating beats layered over what sounds like Middle Eastern-inspired melodies. It’s chaotic in the best way possible, like someone threw a rave in a souk. Every time I listen to it, I half expect to see people spinning around with glow sticks while sipping tea. Weird? Yeah. Awesome? Absolutely.
Then there’s “Una Triko Trako (Macarena Rmx)”, which flips the vibe completely. If the Khetama remix is intense, this one is straight-up cheeky fun. It leans heavily into its Eurodance roots, giving off those late ‘90s vibes when everything was shiny, happy, and slightly cheesy. You can practically picture yourself in a packed dance hall, arms swaying side to side, singing along even though you don’t know the words. It’s impossible NOT to smile during this track—it’s infectious as heck.
What makes Una Triko Trako stand out isn’t just its mix of genres or styles; it’s how unapologetically itself it is. There’s no pretense here, no trying to fit into any box. Instead, it feels like an invitation to let loose and embrace whatever comes next. And honestly, we could all use more of that kind of energy.
So yeah, if you’re looking for something polished and predictable, this ain’t it. But if you want music that feels alive, raw, and full of surprises, give Una Triko Trako a spin. Oh, and here’s a random thought to leave you with—what if Jalal and Maksim made this whole thing as an elaborate prank on genre purists? Food for thought.
