Wilhelm Stenhammar, The Gothenburg Symphony Orchestra Neeme Järvi - Symphony No 1 In F 1902 03

kathleenmccoy

Review by Kathleen McCoy

Symphony No. 1 In F Major, 1902-03 – A Hidden Gem That Feels Like Home If you’re into classical music but haven’t heard Wilhelm Stenhammar’s Symphony No. 1 In F Major, you’re missing out on something special. Released in 1986 by BIS Records (Sweden, Europe), this album is a time capsule of Romantic-era vibes brought to life by Neeme Järvi and The Gothenburg Symphony Orchestra. It’s not flashy or overproduced—it’s just pure, heartfelt music that sneaks up on you when you least expect it. Let me tell you about two tracks that stuck with me long after the needle lifted off the record. First up: “Tempo Molto Tranquillo. Allegro.” This one starts soft, almost like a whisper, then BAM!—it explodes into this rich tapestry of sound. You can practically feel the strings tugging at your heartstrings while the brass adds this bold, heroic edge. There’s something so raw and emotional here; it feels like Stenhammar poured his soul into every note. I kept hitting replay because, honestly, who doesn’t need more moments that make their chest tighten with emotion? Then there’s “Allegro Non Tanto, Ma Con Fuoco. Tranquillo”—a track that flips between fiery passion and serene calm like nobody’s business. One moment, it’s all drama and intensity, like watching a storm roll in over the ocean. The next, it’s peaceful, like lying under a tree as sunlight filters through the leaves. It’s hard not to get lost in its contrasts. When the orchestra hits those fiery crescendos, it’s impossible not to sit up straighter, maybe even pump your fist a little. And when it drifts back into tranquility? Forget it—you’ll want to close your eyes and let the world fade away. What makes this recording stand out isn’t just the music itself—it’s how everyone involved poured their hearts into it. Neeme Järvi conducts like he’s telling a story only he knows, and The Gothenburg Symphony Orchestra plays with such precision and warmth, you’d swear they’ve been waiting their whole lives to share these pieces with you. Hats off to engineer Michael Bergek too, whose work ensures every detail shines without feeling forced or artificial. And can we talk about the liner notes by Lennart Dehn for a sec? They’re packed with nuggets about Stenhammar’s life and inspirations, adding layers of meaning to an already beautiful listening experience. Plus, props to Robert Von Bahr for pulling everything together—from production to design—and making sure the album looks as good as it sounds. Here’s the thing: albums like this remind us why classical music still matters today. Sure, it’s from another era, but it speaks directly to the human condition in ways pop songs often don’t. Listening to this symphony felt like having a deep conversation with someone wise yet approachable—a rare gift in our fast-paced world. So yeah, if you’re looking for something that’ll stick with you long after the final chord fades, give Symphony No. 1 In F Major a spin. Just be warned: once it gets under your skin, you might find yourself humming random bits during awkward moments. Trust me—I’ve done it. Now excuse me while I go listen to “Allegro Amabile” again… because apparently, my day needs more amabile vibes.

Table of Contents

Download

Filename: wilhelm-stenhammar-the-gothenburg-symphony-orchestra-neeme.zip
  • MP3 size: 24 mb
  • FLAC size: 225.5 mb

Tracks

TrackDurationPreview
Tempo Molto Tranquillo. Allegro17:06
Allegro Amabile9:37
Andante Con Moto10:33
Allegro Non Tanto, Ma Con Fuoco. Tranquillo15:17
Symphony No. 1 In F Major 1902-03(52:56)

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Catalog Numbers

  • LP-219, BIS-LP-219
  • LP-219, BIS-LP-219, 76.26 468
  • MC-219, 74.26 468
  • BIS-CD-219

Labels

BIS

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Formats

  • Vinyl
  • LP
  • Cassette
  • Album
  • Dolby B
  • CD

Companies

RoleCompany
Phonographic Copyright (p)Grammofon AB Bis
Copyright (c)Grammofon AB Bis
Recorded AtGöteborgs Konserthus

Credits

RoleCredit
Composed ByWilhelm Stenhammar
ConductorNeeme Järvi
EngineerMichael Bergek
LayoutWilliam Jewson
OrchestraThe Gothenburg Symphony Orchestra
Photography ByHarry Nicolaisen
ProducerRobert Von Bahr
DesignRobert Von Bahr
TypographyRobert Von Bahr
Liner NotesLennart Dehn

Notes

  • Recorded live at the Gothenburg Concert Hall on September 24, 1982.
  • Direct Metal DMM Mastering.
  • Gatefold cover.
  • Recorded live at the Gothenburg Concert Hall on September 24, 1982
  • Made in Japan by Sanyo

Barcodes

  • Rights Society: n©b
  • Matrix / Runout (Side A runout stamped): C - 76 26468 - 01 - 1
  • Matrix / Runout (Side B runout stamped): C - 76 26468 - 01 - 2
  • Barcode: 7 318590 002193

About Wilhelm Stenhammar, The Gothenburg Symphony Orchestra Neeme Järvi

Swedish composer, pianist and conductor, born February 7, 1871 in Stockholm, died November 20, 1927 in Jonsered, Västergötland. As a young man, Stenhammar was known as a pianist. He played and toured with, among others, the violinist and composer Tor Aulin. Stenhammar was educated first in Stockholm and later in Berlin. At the beginning of his career, he was strongly impressed by Richard Wagner and Anton Bruckner, but eventually developed a lighter, Nordic-colored style, influenced by, among others, Jean Sibelius and Carl Nielsen. He belonged to the cultural family Stenhammar. He was the son of the composer and architect and the countess Louise Rudenschöld and the brother of the architect Ernst Stenhammar. Wilhelm Stenhammar married the artist Helga Westerberg and became the father of the singers and .

Real Name

    • Carl Wilhelm Eugen Stenhammar

Name Vars

  • Stenhammar
  • Stenhammar, W.
  • Stenhammar, Wilhelm
  • Stenhammer
  • Tonsättaren?
  • V. Stenhammar
  • W. Stenhammar
  • Wilhelm Stenhammer
  • Willhelm Stenhammar
  • В. Стенхаммар
  • В. Стэнхаммар

Interesting fact about Album

Did you know? The album *Symphony No. 1 In F Major, 1902-03* by Wilhelm Stenhammar is a hidden gem of Romantic classical music. Released in 1986 by the Gothenburg Symphony Orchestra under conductor Neeme Järvi, it brings Stenhammar’s early 20th-century masterpiece to life. What makes it special? The recording was engineered by Michael Bergek, known for his exceptional ability to capture the rich textures of symphonic sound. And fun fact: the album’s entire design and layout were done by one person, Robert Von Bahr, who also produced it. It’s like a labor of love wrapped in a single package!