Bleu Néon - Cité Promise

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Review by Kathleen May

Album Review: Cité Promise by Bleu Néon – A Darkwave Gem from 1985 Released in 1985, Cité Promise by Bleu Néon is a haunting journey into the depths of electronic music. Hailing from Canada and released under Les Editions Du Champ De Mars, this album blends New Wave, Darkwave, and Experimental styles into something both nostalgic and groundbreaking. It’s not just another synth-heavy record; it feels like stepping into an underground club where shadows dance and emotions simmer. The core of the album lies in its stark minimalism—courtesy of Richard C. Blais on synthesizer—and Alain Tittley's evocative vocals that feel almost ghostly at times. Daniel Painchaud’s basslines provide just enough weight to ground the ethereal soundscapes without overpowering them. Tracks like "Néon Blafard" and "Survivance" stand out for their ability to evoke vivid imagery with sparse instrumentation. Let’s dive into these two tracks because they’re what make Cité Promise unforgettable. "Néon Blafard," which translates roughly to “pale neon,” sets the tone right off the bat. Its pulsating synths create a sense of urban decay—a vibe that screams late-night wanderings through empty streets lit only by flickering signs. The lyrics, penned by Tittley himself, are poetic yet cryptic, leaving listeners room to fill in the blanks. You don’t just hear this track—you feel it. Whether it’s intentional or not, there’s a rawness here that modern productions often lack. It sticks with you long after the final note fades. Then comes "Survivance," a brooding piece that builds tension slowly but surely. This one feels more personal, almost like a meditation on resilience. Tittley’s voice carries a mix of desperation and defiance, while Blais’ synthesizers swirl around him like fog rolling over water. What makes this track memorable isn’t any single moment—it’s how everything works together to pull you deeper into its world. By the end, you might find yourself wondering if survival really means thriving or simply enduring. Heavy stuff, huh? What strikes me most about Cité Promise is its timelessness. Sure, it has that unmistakable '80s sheen, but the themes explored here—alienation, perseverance, identity—are as relevant today as they were back then. And let’s be real: not many albums can claim to do that without sounding dated. But here’s the kicker—this album wasn’t some massive commercial hit, nor did it reinvent the wheel. Yet, decades later, we’re still talking about it. Maybe that says something about art’s true value—not in charts or sales figures, but in the way it lingers in your mind. So go ahead, give Cité Promise a spin. Just don’t blame us if you start seeing neon lights everywhere you look afterward.

Download Bleu Néon - Cité Promise
Artist: Bleu Néon
Album: Cité Promise
Rating: 4.33

Table of Contents

Download

Filename: bleu-non-cit-promise.zip
  • MP3 size: 20.7 mb
  • FLAC size: 116.1 mb

Tracks

TrackDurationPreview
Néon Blafard3:32
Exorcisme4:32
Survivance8:24

Video

Blue Neon - Neon Blafard (1985)

Images

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Catalog Numbers

CDM-7001

Labels

Les Editions Du Champ De Mars

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Formats

  • Vinyl
  • 12"
  • Promo

Credits

RoleCredit
BassDaniel Painchaud
Lyrics ByAlain Tittley
SynthesizerRichard C. Blais
VocalsAlain Tittley

About Bleu Néon

Canadian (Québec) band formed circa 1982 around Alain Tittley who, after having published several collections of poetry, writes and interprets his own texts. They seek to merge poetic language and new musical texture.

Members

  • Alain Tittley
  • Daniel Painchaud
  • Richard C. Blais
  • Gilles Brillon

Interesting fact about Album

Did you know? The 1985 Canadian album *Cité Promise* by Bleu Néon is a hidden gem in the electronic music scene. It blends New Wave, Darkwave, and Experimental sounds, creating a moody, atmospheric vibe. The track *Néon Blafard* stands out with Alain Tittley's haunting vocals and Richard C. Blais's synth work. Fun fact: the basslines were played by Daniel Painchaud, adding depth to the album’s eerie charm. Released under Les Editions Du Champ De Mars, it’s a piece of music history that still feels ahead of its time.

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